XaiJu
SniffSnorf
SniffSnorf

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Painting Process Breakdown

I can not remember if I ever did an extensive breakdown of how I do a piece so here is one of Late Afternoon Chilling! :D

Starting with the completely closed off linework, I magic wand select everything outside the sketch and then invert the selection. After that I usually do some small cleanup around the edges of the selection, soften (feather) it, make a new layer and fill it with a solid Lucy Color (a shade of orange). This layer will be the base that I clip all other layers onto.

When that is done I put down some flat colours. I usually put objects that are not part of the character on separate layers, sometimes even the tail. In this case her sweatpants are on a separate layer.

The next step is basic shading. Doing this is very straight forward. I just pretend to be the light source and shade parts that turn away from me a bit darker. You can see a bit more details about it on the right side! :>

When the basic shading is done I usually add the shadow layer.
This one is just a multiply layer that I set it up in a way that it only appears on Lucy (Layer Groups and the tag “Inherit Alpha” in Krita).
On this layer I block out the shadows in a warm grey tone. Sometimes I make the shadows a bit lighter on round areas, like in this case on her boobies and belly. I also add some additional darkness to the occlusion areas.

Occasionally it is more convenient to add a Transparency Mask than erasing and adding onto the layer directly, especially when I have hard edged shadow patterns like in this piece.
The Transparency Mask is pretty much an additional visibility layer that gets “glued” onto an existing layer or layer group. On that layer you can paint areas that should be visible white and areas that you want to be invisible black. In this case I wanted the light strip NOT be part of the shadow, so I painted it in black.

This already looks very cool but I wanted it to pop more so I added the following layers with these layer blending modes:

color dodge layer /color dodge

reflected light layer /normal

glow layer /normal

god rays /normal

dust particles /normal

slight vignette effect /multiply

I kept the background very simple in this piece. It is just a few shapes round shapes hinting at blankets and pillow and parts of a wall. I also added a multiply shadow layer.

And this sums up my work process. I do this more or less for each piece I paint. Sometimes the order varies a bit though. On some pieces I block in the background early on, and on others I add additional effect layers (or goop).

I hope you enjoyed this long explanation! :D

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Comments

Thank you! :> That is more subsurface scattering than chromatic aberration though. :D It is basically light penetrating a soft surface and making it glow a bit from the inside.

SniffSnorf

You are welcome! :>

SniffSnorf

This is so freaking cool, thank you for the breakdown!

Fibinochi

The chromatic abberation in the shadow is legendary!

Seruph

Thank you for sharing this. It makes all your work much more worth it. When you see how much love and effort it takes to create these works of art.

C_Barkin

Thank you! :D

SniffSnorf

It usually 3 to 4 hours to complete a piece. If it is more complex and has multiple characters it takes longer. This process is perfect if there is only one character in the piece but if there are multiple everything can compound very quickly because I then need to do many of the steps for each character. :V

SniffSnorf

Excellent breakdown, Sniff!

Lord Nobleheart

Dang that's crazy how long does it take you to do all this?

Cassius Marine


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