A Communications Primer 1953 Ray Eames, Charles Eames

more at http://quickfound.net/

16mm Eastmancolor.

Originally a public domain film, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.

The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).

https://en.wikipedia.org/wiki/Charles_and_Ray_Eames

Wikipedia license: http://creativecommons.org/licenses/by-sa/3.0/

Charles Ormond Eames, Jr. /ˈiːmz/ (1907–1978) and Bernice Alexandra "Ray" Kaiser Eames (1912–1988) were an American design married couple who made significant historical contributions to the development of modern architecture and furniture through the work of The Eames Office. Among their most well-known designs is the Eames Lounge Chair. They also worked in the fields of industrial and graphic design, fine art, and film. Charles was the mouthpiece and public face of the Eames Office but Ray and Charles worked together as creative partners and employed a diverse creative staff...

The design office of Charles and Ray Eames functioned for more than four decades (1943–1988) in the former Bay Cities Garage at 901 Washington Boulevard in Venice, Los Angeles, California.

The Eames' were bolstered by the royalties from Herman Miller for their early furniture designs which enabled them to establish the Eames Office. They worked 13-hour days and directed the work of a team of collaborators. Through the years, its staff included many notable designers: Henry Beer and Richard Foy, now co-chairmen of CommArts, Inc.; Don Albinson; Deborah Sussman; Annette Del Zoppo; Peter Jon Pearce; Harry Bertoia; and Gregory Ain, who was Chief Engineer for the Eameses during World War II.

The Eames Office was a diversified workplace that employed local people, war veterans, and housewives. The Eameses also believed in "learning by doing"- before introducing a new idea at the Eames Office, Charles and Ray explored needs and constraints of the idea extensively...

Eames products were also manufactured on Washington Boulevard until the 1950s. Among the many important designs originating there are the molded-plywood DCW (Dining Chair Wood) and DCM (Dining Chair Metal with a plywood seat) (1945); Eames Lounge Chair (1956); the Aluminum Group furniture (1958); the Eames Chaise (1968), designed for Charles's friend, film director Billy Wilder; the playful Do-Nothing Machine (1957), an early solar energy experiment; and a number of toys...

In the 1950s, the Eames Office continued their work in architecture and modern furniture design. As with their earlier molded plywood work, the Eameses pioneered technologies, such as fiberglass furniture, plastic resin chairs, and the wire mesh chairs designed for Herman Miller. From the beginning, the Eames furniture has usually been listed as by Charles Eames. In the 1948 and 1952 Herman Miller bound catalogs, only Charles' name is listed, but it has become clear that Ray was deeply involved and was an equal partner with her husband in many projects. In August 2005 Maharam fabrics reissued Eames designed fabrics; Sea Things (1947) pattern and Dot Pattern. Dot Pattern was conceived for The Museum of Modern Art’s “Competition for Printed Fabrics” in 1947. The Eames fabrics were mostly designed by Ray, as were the Time-Life Stools. In 1979, the Royal Institute of British Architects awarded Charles and Ray with the Royal Gold Medal. At the time of Charles' death they were working on what became their last production, the Eames Sofa, which went into production in 1984.

Films

Charles and Ray channeled Charles' interest in photography into the production of 125 short films. From their first film, the unfinished Traveling Boy (1950), to Powers of Ten (re-released in 1977), to their last film in 1982, their cinematic work was an outlet for ideas, a vehicle for experimentation and education. The couple often produced short films in order to document their interests, such as collecting toys and cultural artifacts on their travels. The films also record the process of hanging their exhibits or producing classic furniture designs. Some of their other films cover more intellectual topics. For example, one film covers the purposely mundane topic of filming soap suds moving over the pavement of a parking lot. Powers of Ten (narrated by physicist Philip Morrison), gives a dramatic demonstration of orders of magnitude by visually zooming away from the earth to the edge of the universe, and then microscopically zooming into the nucleus of a carbon atom...