3/22 as Mass Ritual: Crocus Attack, Skull & Bones Day, Sus Nolan Dossier, & Tenet's Predictive Programming

We're taking a momentary break from the Cork Board Church of the Paranoiacost series & the Brother Klonny persona to examine another probable false flag.

I'll flesh out these notes a little later, but the gist of the ep is this. We're conducting a comp paranoid analysis of the Crocus terror attack, 9/11, and the Christopher Nolan film "Tenet" to explore the notion that said temporality-manipulating spy caper flick's opening sequence was predictive programming of the onslaught on the concert hall in Moscow and that this recent tragedy may have been a capstone or furtherance of that deadly magical working, that mass sacrificial ritual complex known as 9/11 or Sept. 11th.

Using SK Bain's "The Most Dangerous Book in the World: 9/11 as Mass Ritual" as a kind of critically paranoid grimoire, we dig into the strange numerological, mythological, & occult synchronicities mutual to 9/11 & 3/22, not excluding the fact that two of the infamous Bush Crime Family architects of the first were also Bonesmen, and that the latter coincidentally occurred on the same Yale Secret Society's high holy day. I'm talking about Skull & Bones. We begin to splay out some of the evidence I've been compiling in my sus Christopher Nolan dossier, including the fact that his production designer is Aleister Crowley's nephew (lending credence to this notion that the film "Tenet" could be evoking both 9/11 & 3/22, as the 9/11 mass ritual was rich w/ Crowleyian imagery & some would argue functioned, in part, as an homage or invocation of the Beast 666) and we also illustrate Chris Nolan + Nathan Crowley's working relationship w/ under-fire MIC contractor B o e i n g during "Tenet" filming, who loaned them 4 helicopters & sold them a 747 they crashed into the side of a fabricated Oslo Airport (again evoking 9/11). We dig in deep on how "Tenet" was based on the two dimensional acrostic or magic square known as the Sator Square, and that its historical use as a talisman or charm and its numerological properties (which we proceed to locate in various aspects of the Crocus attack) is further evidence supporting this notion that "Tenet" presaged the Crocus attack & that it may even be a televisual component of some sort of mass brainwashing MegaRitual stretching from 9/11 to 3/22—perhaps intended to reify the earlier psyop false flag & the War on Terror that it birthed through Crowley's Law of Reversal. We talk about how the Sator Square is made up of palindromes and how there are exactly 8228 days b/w 9/11 & 3/22, in other words a numerical palindrome, further underlining this idea that the two attacks could combine into a kind of occult palindrome

We talk the material particulars of the Crocus attack: some of the sus inconsistencies like the feeble security presence on the day, the fact that the developer behind the Crocus shopping center & concert hall is an Azerbaijani billionaire Russian oligarch who has acted as the liaison b/w Putin & Trump in the past, and purported crypto payments for the attackers. We begin to parse some of the differing analysis of the deep event... Including the Russian FSB's assertions that it was Western intel & Ukrainian backed and the conflicting claiming of responsibility by ISIS-K, which a Dutch-owned expat paper in Russia and NATO bureaucrats have been repeating ad nauseam. We illustrate just how curious it is that the US Embassy's warned citizens to avoid "concert halls & shopping centers" approx two weeks prior to the attack, a prescient alert that smacks of plausible deniability. And we muse about how the Nolan film "Tenet" is like a recruitment advert or promotional propaganda for an elite secret society w/in Western intelligence that has self-assigned the task of ensuring that history remains on its deterministic rails, and how its celebration of spy agencies combined w/ quasi-Crowleyian occult trappings gives off a distinctly esoteric fascist vibe... A kind of Blavatsky-esque ideology of Chosen One/ Ascended Master supremacy that results in the forming of this shadow bureaucracy that controls the flow of time & a single man assuming the mantle of arbiter of all things. Weird.

We talk about how the fact the concert hall in Moscow is named Crocus evokes an etiological myth involving Hermes, where a mortal man named Crocus is felled in an accident at a discus competition, and how said myth has an almost ritual sacrifice flavor to it... And how Hermes's prominence in this myth aligns w/ the psychopomp God of Commerce's centrality to the 9/11 MegaRitual.

We even find time to talk about 3/22 and the Crocus terror attack's proximity to this imminent solar eclipse on April 8th, which will coincide w/ the launching of 3 NASA rockets named after the Egyptian chaos serpent Apep & the booting up of the Large Hadron Collider at CERN. We talk about how both of these imminent events are rife w/ Crowleyian symbolism & significance, trotting out Crowley's ritual for Apep (which talks about child sacrifice & vampirism, yay!), Jack Parson's shadow over the rocket launch, & CERN's appreciation for esoterica & eschatological shit (see the statue of Shiva outside their complex, etc). We talk about how said Solar Eclipse, these ritualistic scientific ventures, & the purported sacrificing of one of the apocalyptic red heifers in Israel on Apr. 10th are all falling w/in the 120th anniversary of Aleister Crowley & Rose Kelly's channeling of the demon Aiwass in Egypt, and how this is more than a lil freaky, indeed. So yeah, that's some of what we get into. I haven't even teased half the raft of strange numerological synchronicities or similarities b/w the SK Bain's book & the Crocus attack details that we push out, so plenty to look forward to...

OH shit, yeah, reminds me: one other central piece... So I think anyone would agree that Nolan's film "Tenet", with its CIA agent main character & repeated, nested terror attacks, is evocative of 9/11, right? Even if you disagree or see little merit to the predictive programming notion about the opening in the Kyiv Opera House & its similarities to 3/22, you have to recognize that "Tenet" is playing w/ a lot of these espionage & false flag themes. Well, one other bread crumb hinting at the fact that he was influenced by 9/11 when composing said narrative? Guess the name of the C I A Director during that early part of Bush's tenure. We're talking the only D C I to have ever served subsequently under two different parties. The director of the company at the time of Sept. 11th was named George TENET. There ya go. Lol

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Songs:

| Ludwig Göransson - "Rainy Night in Talinn" |

|Ludwig Göransson - "Inversion" |

| Ozzy Osborne - "Mr. Crowley" |

| Ludwig Göransson - "Meeting Mr. Neil" |

| T r e v or M o o r e - " K i t t y H i s t o r y " |