This was my third shoot with Emma, our last one being way back in May. She came over to shoot in my home studio for the day and we had a range of different styles planned. I was keen to do a black and white implied nude set with her, using my Pixapro 130cm parabolic umbrella for a softer light than I use in a lot of my black and white sets.
Emma had brought this pink gown with her, to keep off the chill and protect her modesty whilst walking around the house, and I suggested she keep it on whilst I got the lighting levels sorted. We had not intended for the gown to become part of the set, but the moment I took the first shot I realised that a) it was perfect to go with the lighting and grey paper roll backdrop, and b) I would be editing it as a colour set.
I have had a few questions about my use of colour tones. For this set I started by using a preset that I have created and saved in Lightroom. I've used it on a number of sets and I like the way it reduces the contrast and mutes the colours a little. I always then tweak it to make it right for each individual set I work on. The, I do my retouching in Photoshop, and more often than not do more colour toning at the end of the edit. I have become quite a fan of the Infinite Color Panel from Infinite Tools, although I tend to be using it less these days as through using it over time, and by combining the various adjustment layer sets it has created, I now have a range of tone sets saved in my Photoshop library. So at the end of the edit I will now experiment with combining and tweaking these to get the final tones I want. Then it's back into Lightroom, where I invariably end up making a few more tweaks. Is it the best way of working? I don't know, but it works for me.
You can see more of Emma's work at her Instagram and she will soon be posting her images that are not social media friendly on a new platform, Divine Models, that is launching very soon.