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Do The Right Thing (1989)

Before we jump into discussing Do the Right Thing, I just want to acknowledge that the film touches on some heavy and complex subjects, including race, social tension, and community struggles. My goal here is to engage with the movie in a thoughtful and respectful way, without getting too deep into politics or heated discussion. I know that everyone may have different feelings or interpretations. Let’s keep the conversation open, respectful, and focused on the film’s message and impact.

Here are some words that I couldn't find while in the reaction, but here is how I can try to get my feelings out pen to paper.

Newly added to the AFI list in 2007 at #96. (I GUESS I read my list wrong and kept saying 1997)

I loved this movie. Do the Right Thing (1989) lives up to its title in every sense. The title alone carries the weight of the film’s message - and maybe even life itself. It’s about integrity, accountability, and doing what’s morally right, whether people are watching or not. I didn’t touch on this much in my reaction, but what lingers with me is the idea of integrity - the deep responsibility to do what’s ethically right, even when the lines are blurred.

Watching this felt like having a lump of coal in my throat at times, I was at a loss for words. I was trying to listen and reflect on each individual. I think that’s where the brilliance of Spike Lee’s work shines through. It also had so many funny moments that kept a heartbeat of life pulsing through the film and the community. The film delivers complex social commentary so effectively, it doesn’t need much added. It’s vibrant, raw, and full of life-almost like a documentary mixed with a music video. It felt startlingly real, and while some scenes were hard to watch, they forced empathy for every character. The film shows how deeply rooted racial tensions are, and how difficult they are to untangle.

The empathy you feel for every character, no matter how flawed, is a testament to Spike’s storytelling. He doesn’t offer easy answers because there aren’t any. The film isn’t about taking sides; it’s about exposing the reality that racial tension are deeply rooted and complex, and no one action, no single "right thing," can fix it.

From a technical standpoint, this movie is RAD. The cinematography is dynamic, with every shot adding dimension to the characters' experiences. The music beats through the film, not just as a backdrop but as a force driving the narrative. It’s full of life-energy even in its darkest moments.

This story feels straight from the heart. He wasn’t afraid to tell the story he felt needed to be told. This is a film that everyone should watch, no matter where you stand, because the film itself doesn’t take a stance. It just asks you to listen and reflect. There is sooo much symbolism that I am still digesting. A couple scenes and shots I loved where; Mayor at night with the light post behind him, Radio's Love/Hate speech, and Mookie and Sal standing in front of the burnt down Pizzeria. These all touched on soo many different feels. Oh and Rosie Perez was amazing in this!

Ending the film with quotes from Malcolm X and Martin Luther King Jr. was a powerful touch. It underscored the complexity of the issues, and by the end, I understood everyone’s pain. It’s tragic what happened... did it have to happen? They leave us to grapple with the inevitable question: what is the right thing? The tragedy at the film’s climax feels heartbreakingly inevitable with the cops, the rising heat and tension within the characters, and yet unnecessary. It’s this paradox that makes Do the Right Thing not just a film, but a reflection on the struggle for justice then and now.

Have a great Friday. Remember to be kind. You never know what people are going through.

xx

ames

Do The Right Thing (1989)

Comments

Love your comment thanks so much Catcher!

Amalia Wolf

Way late to the watchalong, thank you for tackling this film. There’s a lot to comment on and others have said it better, but I’ll say this. Spike Lee had directed two other features before this. He was a known director but not known to be an incendiary one until this was released. America was five years into the packaging for commercial digestion the black experience of The Cosby Show, and this movie gave a perspective that was much different. Like comparing the rap of DJ Jazzy Jeff and the Fresh Prince to Public Enemy and N.W.A. Three years after this was released, the LA Riots happened, Gangsta Rap was in its golden age, and The Cosby Show was cancelled (all 1992). It was a different country where a lot of people’s eyes were opened. The melting pot of America had been boiling over (again) and not for the last time. Denying it didn’t make it untrue. One last thing. And *spoiler* alert. I think Mookie breaking the window saved Sal’s life. In that moment a powder keg of emotion about Radio Raheem was gonna explode, he saw that. It was either a riot ……or a crowd taking singular and similar vengeance out on Sal. I think Sal knew that what Mookie did released the tension that needed to happen in a way that at least didn’t mean an eye for an eye.

Catchermag

Thank you so much for adding these thoughts!

Amalia Wolf

Yes LOVEEE this points! Totallyyyyyy agree that’s for adding more to the movie for me!

Amalia Wolf

This was a difficult film to watch. I really appreciated your thoughts on this one, Ames. There really was a sense in which every point of view was being represented for each of the characters. I find the title of the movie very interesting as well. Do the Right Thing. What does that even mean? In general, I think most of us would agree that doing the right thing (as you mentioned, Ames), is having integrity and doing what is morally and ethically right. Within the context of the film, I think the question is being broadened… the right thing… from whose point of view?? One of the very disheartening aspects of the film to me, was the sense in which it felt like things had been this way in the neighborhood for a long time and it wasn’t going to change anytime soon. That seemed to be a strong theme in the film, with characters challenging each other... “When are you going to (get a job, start a business, take responsibility, stop drinking, earn more money,...?”, with the general consensus of opinion being, “it's never going to happen!” There is such a strong sense of “nothing's going to change”, running like a pervasive sadness throughout the film. I also found it interesting that whenever someone would come into Sal’s Pizzeria, they would order a slice. The slice was fairly plain, but affordable at a buck fifty. However, extra cheese was two bucks. To me, the pizza slice was an interesting “slice of life” metaphor. It was like having enough to get by, but not enough to get ahead. If you wanted the “extra cheese”, you had to pay more than double... and who could afford that? One of the other themes I see in the movie is that when everyone is talking at the same time, or shouting their viewpoint at the world (or even blasting their music at full volume), then the sound just becomes noise. With all of the noise, no one is actually listening to each other, or understanding, or learning anything new. If I don’t listen to my neighbor, how can I know him, and if I don’t know him, how can I love him?

John Courtright

This remains one of the most brilliant and incisive films ever made about prejudice and society in America. A film made with a multiplicity of perspectives, a film made out of frustration and rage, and a film that gradually simmers under the unforgiving heat until it inevitably explodes. I think what distinguishes Lee from other filmmakers who have tackled similar themes is the way he rejects the strictures of realism. There is a vivid authenticity here but it's presented in a heightened, stylised way, full of brash colours, music-driven sequences, direct address and bold camera moves. Lee creates an exaggerated aesthetic that makes the emotions and ideas land in a different way. He's made some bad movies over the years but that's primarily because he frequently takes huge swings, and his best work is sensational. Mo' Better Blues, Malcolm X, Crooklyn, Clockers, Summer of Sam, Bamboozled, 25th Hour, Chi-Raq - all major works, I think.

Henry Graham

Nothing much I can add to what's been said about the film-making; it's truly masterful. One thing I haven't seen mentioned is how immersive this film is. That feels like a real neighborhood. I saw this when it came out and haven't rewatched until now. Not because I didn't like it but because its just so damn painful to absorb. Great work Ames.

James Rogers

Thanks so much for your words Astral! ❤️

Amalia Wolf

Do The Right Thing is probably the best movie about modern race relations I’ve ever seen. It’s honest and unsentimental. There are no white saviors nor are there any black saviors. No one comes to some moral epiphany about race at the end of this movie. Racism in America is far more complex than that. In fact, people harbor deeper resentments at the end. These are frustrated people pushed to their breaking point in an economically and socially unfair system. That the movie ends in tragedy and violence is unfortunately a reflection of the reality that we live in. And man the filmmaking is impeccable! Spike would become less disciplined in his later movies but man this movie is electrifying! It’s an imminently rewatchable movie despite the heavy subject matter. Here’s hoping we watch Malcolm X soon! Denzel is on fire in that one! 🔥

AstralCars

Thanks RFK. Put a lot of work and feels into this one. It’s an important film. I also think the creative technical work in this is RAD. I need to watch SLAV asap!

Amalia Wolf

Reading your commentary I was so impressed! Could have been written by Roger Ebert Ames! Very proud of you. Entirely truthful and accurate. Forces us to look ourselves and not necessarily in a good light. This movie EXPLODED when it debuted I remember that but have yet to meet anyone who didn’t like it. Great casting by Spike and like you mentioned? The cinematography was RAD. I remember there were a lot of angry people when this film lost the Golden Palm D’oerr at Cannes to SEX, LIES AND VIDEOTAPE that year. I was ambivalent because I thought SL&V was just as good although a completely different type of film.

RFK Fan

❤️❤️❤️❤️❤️❤️❤️

Amalia Wolf

Even without watching this your write up choked me up

Catchermag

This movie made me wanna eat pizza so I think this is a SMART choice and the best thing u could do lol

Amalia Wolf

I literally just went downstairs and got a couple of slices of pizza! I knew it would be up by the time I got back! Ha! I'm a ten minute walk from Brooklyn. I couldn't be more prepared for this reaction! 😂 Fantastic write-up, even before I get into the video commentary; on top of everything else, you're a great writer/reviewer!!! Ok, pizza's getting cold, I'll see you on the other side!

Toc

LOVE THIS SHAWN thank you. What beautiful words! And also touched on some things I said that I didn’t fully speak!

Amalia Wolf

This is never the easiest film to talk about, but as time passes, I find it easier for me to enjoy (you’d think it would be the other way around). Perhaps it is because I already know what is coming, or it could be me trying to appreciate how much more socially aware we’ve become during the past 35 years. When experiencing this one, I’ve spent more time trying to process it by asking questions, rather than arriving at instinctive conclusions, because as simple as the plot seems to be, the message is anything but. Who is doing the right thing in this film? Does anyone really do what is right? If so, why do we believe the way we do, and why do we think the character made the choice they did? I tend to see this film as observing the actions of each character independently and not actually taking a firm stand on any one person having done what is “right.” For me, it is more a commentary on what decisions we could have made in the pivotal moment, and how the choices we make can potentially affect so many others. There are several things in this film that always make me smile. This was the seventh of nine times that the married couple of Ruby Dee, as Mother-Sister, and Ossie Davis, as the drunk, got to work together, and their chemistry is undeniable. I can’t help but get excited every time I see them together. They were married from 1948 until his death in 2005. She also passed (sadly) in 2014, at the age of 91. Another little Easter egg that grabs my attention is the Love and Hate brass knuckles that Radio Raheem is sporting, invoking the Love and Hate tattoos on Robert Mitchum’s Rev. Powell character in The Night of the Hunter (1955), a man searching for the reward in which he believes he is entitled. I also love the Jordan vs. Bird confrontation on the stoop steps, when they tell Clifton to go back to Massachusetts, and he says he’s from Brooklyn. Their indignant reaction kills me every time. There is more sadness and desperation behind the eyes of the characters in this film, than anger. Anger is definitely a theme, and it only builds as the temperature outside rises. That 100 degree day is felt in almost every scene. I don’t think the people we are following want to wake up every day with anger, but would rather find some sort of better understanding to achieve the inner peace/balance for which most of us are searching. The example that comes to mind is between Spike and John Turturro (the Magic, Murphy, Prince conversation), where they are both calmly pressing the other with questions. Their voices even seem to soften and grow quieter as the scene progresses, as if they genuinely would like to know the answers to the questions they’re asking.

Shawn Goforth


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