I'm late again, heh. But thanks dude! I did end up tweaking it a bit, lowering his leg third panel to help smooth the transition.
I feel like I may have gone a little overboard on the muscle definition in general on this page, but if it looks good I guess I'm okay with that!
But yeah, happy to hear you like how it turned out, thanks man! :D
Ruaidri
2019-02-25 23:17:52 +0000 UTC
I saw the caption and groaned before I even got the image loaded. I knew what, precisely, was going to come.
PsyMar
2019-02-22 09:22:51 +0000 UTC
This is by far my favorite page of the comic that we've seen yet. I know I commented that it seems sudden that the stallion's left leg suddenly was up on the bed, but now in color with the stallion's hands moving forward in panel #4, the position change doesn't seem out of place at all. I can't even really tell what you've done to alleviate the feel of the sudden position change, but it worked great!
Another thing I talked about on the inks was the definition continuity on the stallion's body between panels #3, 4 and 6. It feels very constant now and I think you've done another amazing job there, too!
Teardrop markings are all there, I see nothing that could even be remotely considered lackluster... I'm out of critique already!
Some things that I just want to point out in admiration. Kyle's tail in #2, 3 and 4 swishing back and forth is adorable! Then the quick fluff-up he does in #6 is spot on and really tells us exactly what kind of expression lays behind those thick stallion hands! The fennec ear-handlebars are absolutely awesome, and in that same panel (panel #5) the piercing blue of Kyle's eye is just amazing. The whole page is white, pink, red and brown--to have a pinpoint of vibrant blue in there from his eye really highlights it, and I'm still astounded at the detail you're able to put into his iris.
All in all, as I said before, this is a highlight page. Though I'm sure I'll say the same thing for the next one, and the one after that, too! You get the point :D