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godqueengiantess
godqueengiantess

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Lauren Ashlyn Bookbag B-Side

Hey everyone,

I considered not putting this out (even as a b-side) because it has a lot of problems, and it is only part of the clip. However, I figure that people might still be interested in seeing it, so I might as well share it. Not to mention, Lauren Ashlyn's skin is absolutely glowing in this one lmao.

The good news is that I think I learned a lot from the mistakes in this one, in terms of "directing" VR clips. Some things I need to always emphasize are: 1) you can't stray too far away from the camera, because the camera does not have the capacity to pick up such details; 2) camera/hand positioning to avoid splitting in key areas of view; 3) more detailed walk-throughs of the clips before shooting them. If things seem too complicated, I should shorten the span of each take.

This clip was actually meant to be somewhat of a surprise. It was the first time I was going to try something "couples" themed in a VR video, but don't worry if you're not into that, this b-side only contains Lauren. The basic premise was going to be that Lauren discovers you and tries to hide you from her boyfriend, but then you escape and the boyfriend comes back to find you. However, this b-side only contains Lauren finding you and then looking for you.

Ordering some new props tonight! Once again, feel free to send over any non-dialogue ideas you might have <3

https://youtu.be/iXzpJw19sAQ 

Lauren Ashlyn Bookbag B-Side

Comments

godqueen Yeah, that person makes really interesting content for sure! It's always interesting how in some ways, VR opens up things unique for our community while simultaneously having unique difficulties for us to realize that potential LOL. And I'm glad you think so! Yeah, when she told me she doesn't feel super confident in her dialogue abilities I never wanted to push it, because I think you're right, no dialogue is better than bad dialogue, because at least there is some mystery to the situation, not knowing what she is thinking. I think it creates an interesting dynamic for her. That was the one with the cage actually, where she had glasses on, but yeah you were right! I tried taking that approach with her in talking about this next batch of brainstorming ideas actually, so we're on the same page there. Sometimes it helps to make it more "real" for ppl acting wise. Although, it's been cool to see her "get it" more over time. Now whenever we talk, she seems to have a pretty good understanding about certain things, it's very cool to see!

godqueen

Ah, very good point about the noise. Haven't thought of that. The quick cuts worked fairly well in this video for example, by Minimums: https://www.youtube.com/watch?v=Z6rCJ0xoGlo Not amazing, but serviceable. Probably very time consuming and difficult to get the cuts right over a great number of takes. On the other hand, doing it like this could give you more control while the filming is happening. I think Lauren does an amazing job interacting with the camera overall. Probably one of the best in my opinion. Unfortunate that she doesn't want to do dialogue, but I understand. It's probably a lot simpler for her, and it makes the whole experience on her end less overtly sexual. And frankly, it could go the wrong way if her voice acting is off, or if the dialogue is too hokey, etc. I think in the past it's worked best for her though when she came up with a kind of story including the tiny. I recall, I think in the hamster ball vid, that she had imagined the tiny was a guy she had dated and had a bad experience with. I'd love to see more of that from her, where she invents in her head a relationship with the tiny rather than having the tiny just be a random person. (Although I know some people are into F-m relationships where the giantess crushes the tiny impersonally, without knowing who or why. You probably fall in that category too, given some of your vids!)

Stew Drickson

Hi Stew, thank you so much for the feedback/ideas, the comments absolutely help! So the only problem with the string method is that the camera dragging would produce a really harsh noise the whole time, so the audio might be out. Additionally, I would have to cover up the other lens or else it would get scratched/potentially crack. However, your idea reminded me of how people experiment with 180 videos for movement. I've looked into it but have never tried it, because I'm worried it could get a little janky and have the same audio problems for our purposes bc I need to keep it at ground level. Someone also suggested I try doing harsh cuts back to back, to produce like a chaotic effect of movement. Hell, I've even thought about just buying a remote controlled car haha. And I agree with you about the hands on the hips motif :) You're right, I haven't done a ton of vore with her, and the ones I've done with her never seem to work out haha. Hopefully with this next shoot I can design some things that will allow her to hold the moment a little more from above, to let it linger. And I'm glad you enjoy those shots :D

godqueen

I liked it! One idea I have for a fun clip is that you could tie like a long string (maybe transparent) to the VR camera and hide outside the door to the room. Then, if the angle is right, you could pull on the string and make it seem like the VR camera is "moving" and she could chase the camera, stomp near it or after it, and then catch it before it gets to the door. Then when she picks it up, she can take the string off, you can pull the string (no longer attached to the camera) out the door to remove it from the scene, and she can continue interacting with it. I'm generally a fan of bullying or angry giantesses, so would def request scenes where she's standing above the camera with it on the floor with her hands on her hips disapprovingly. Would also love to see some more vore with her. I tend to love your scenes where she holds the camera very close to her body at belly or below level - just having her be so physically close to the camera really lends to the sense of scale. Hope these comments help!

Stew Drickson


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