During quarantine, I’ve felt some stagnation in my ability to be funny, the lack of social interaction meaning a lack of situations necessitating on-the-spot humor. I have, however, had a lot of time to reflect on myself, my life, my fears, and what I believe— I imagine most people have. So, after a lot of unexpected positive reception to previous introspective comics, I offer this.
I think comics that are intimately personal are a good way of creating powerful narratives— packed with intimacy, drawing deep emotionality out of the minute subtleties of life, spinning narratives that appear mundane into something gripping. After all, to the writer, these narratives were not subtle— they clearly left a powerful impact on them, powerful enough that they would want to write about it. Plenty of comics do this well— Fun Home by Allison Bechdel, for one. (I’m currently reading the sequel of sorts, Are You My Mother.) However, as a creative, I worry about leaning on this crutch too much. Sure, no story can be as emotionally vivid as the one you’ve experienced— it’s akin to painting a picture while having the clearest possible reference image—but it also limits your creative purview to things only you’ve experienced. This comic isn’t exactly a “narrative”, but my worries still stand. With a life as relatively mundane as my own, will I run out of material? Should I fold my own views and insecurities, instead, into more fantastical fiction? I guess the cure-all solution is expanding my well by becoming a more inquisitive person— or throw myself headfirst into a life of trauma, so that I might draw on it in the future. Maybe I should just read more? Ah, damn it all! It all ties back to this infernal maturity question…
This comic dealt with a lot of vague questions and feelings, so I tried my best to tie it together with a neat through-line, trimming the fat. One part I didn’t really talk much about is the idea of leaving the world of anonymity behind and venturing into the “real” comics world, whatever that might mean. I don’t know necessarily that it’s because I feel some strong kinship with the “comics community”— again, whatever that might mean— but because something just feels especially pathetic about keeping one anonymity and posting strictly to twitter as a 30-something. What does it mean to be a mature comics artist? Besides, like, Alan Moore, who are they? Award winners? They’ll give an award to webcomics called like “Gloopy Gulch” while maintaining a straight face, comics media being as infantile as (some of) it is. The whole question of “the real world” might warrant some more exploration when there isn’t a deadly disease rampant.
People don't give jpegmafia enough credit for innovation in the hairline game. The triple HHH-- the hairline hiding headband-- is pure genius.
Nicole
2022-01-04 08:06:15 +0000 UTCMichael Woodson
2021-01-09 06:04:44 +0000 UTCBeany Tuesday
2021-01-08 06:33:03 +0000 UTCBeany Tuesday
2021-01-08 06:32:13 +0000 UTCbilly likes balloons
2021-01-07 23:46:30 +0000 UTC