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Scott Paul Johnson
Scott Paul Johnson

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NEW CAGED Soloing 04 | C Shape | I - V Progression

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Hi Everyone,

In this video, we'll be focusing on the relationship between the I and V chord shapes using a C shape as our I chord.

To get comfortable with this relationship, start out playing fragments of the C shape over the I chord and fragments of G shapes over the V chord. This is not soloing yet, but seeing, exploring, and actually playing the chord shapes will REALLY help you "feel out" the chord tones when you sit down to start making melodic fragments. If you need a refresher on all the CAGED shape fragment possibilities, check out CAGED Basics.

Once you start getting comfortable with the CAGED chord shapes, you can branch out into the relationship between the pentatonic scale, the the major scale, and each chord. This is where you can begin creating phrases using melody-making "rules" or guidelines spelled out in Music Theory Monday lessons 17, 18 & 19.

Use this Jam Track in A Major for your I - V progression practice

Exploring and getting comfortable takes time. Have fun and share your progress, frustration, excitement, etc on the community forum.

AND remember, there is no perfectly correct way to do this. All of my lessons just show a set of considerations. You can veer off from there when it feels right. Have fun!

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Other helpful links:
Scott's Recommended Lesson Plan
Searchable Lesson Archive
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Scott's Jam Tracks
SPJ Live YouTube Channel
Scott's Main YouTube Channel

NEW CAGED Soloing 04 | C Shape | I - V Progression

Comments

If you were playing a G Mixolydian scale, then yes, that would be correct. But if you're playing the scale, you're not necessarily focused on the chord tones, which is why I don't care too much about the "modal" aspect of this concept. It's easier for me to think "I'm in the key of C, but accenting the notes in the V chord"

Scott Paul Johnson

Would it be wrong to say you are playing the mixolydian mode of the C scale when you play the G chord tones?

Erin

Crystal clear! It does take time and practice to visualize the shapes at different parts of the fretboard when soloing.

Gregory Lehman


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