This time going for a grungy anamorphic look. It's hard to tell in this, but there's some lens distortion going on (like wide-angle anamorphics do). In After Effects if you wanted to do that to a scene after it's been composed, you'd either have to zoom in, or end up with the edges being cut off. In Natron, I can shift the layout so it fits the project size, but not have the edges cut off until I want them to. Hard to explain, but that was super helpful.
The Windows version of Natron is still buggy though; I hope it could survive an animated scene and not just single-frame concepts.
Anyway, just imagine this scene with the clouds slowly moving by, the film jittering slightly, and grain spazzing.
Anders O.H Moberg
2020-04-19 11:40:55 +0000 UTC