[#143] ALCHEMIC SURRENDER, Part Two: George Soros, the Gladio Machine, and the Art of MindWar with Aaron Moulton

Dimitri and Aaron Moulton venture even deeper into the semiotic swamp of Soros discourse to track the metastasizing spread of The Influencing Machine, including:

Art as the last green zone for madness and tactical magic, Marina Abramovic's ritual practice, looking at Michael Aquino’s career through the prism of performance art, desecration becoming consecration, doing black propaganda and calling it "art", Fiona Hill invoking the Protocols of the Elders of Zion during the Trump impeachment hearings, the aesthetic similarities between the 1989 Romanian revolution and January 6th, the rise in conspiracy theory culture since 2015, Qanon shitcoating notions of the very real “deep state”, George Soros’s hardcore Esperantisto upbringing, Esperanto as an aspirational jihad of globalization, the Sorosification of the word “woke”, NGOs as a super-governmental mafia, Srdja Popovic’s “Merry Pranksters and Autocrats”, taking OTPOR! global with the Arab Spring and Maidan, Gene Sharp and Xtinction Rebellion, Dimitri’s experience in the Occupy tactical media experiment, the prevalence of sus cultural operatives generating scripted avant-gardes, the mysterious Japanese art-girl influencer Keiko Sei, parallels with Joanna Stingray’s adventures in the USSR, Aaron getting stalked by MIBs at his State Department-funded exhibition in Bulgaria…

The Soros/Sundance Documentary Fund producing “Liberia: An Uncivil War” in 2003, weaponized magic, performance art, and television spectacle in the Liberian conflict, “The Invention of Sacred Tradition” anthology, creating sacred situations with political witchcraft, how every mass ritual from the Olympics to the Grammys is (in a sense) quite literally rubbin’ it in our faces folks, the cannibalistic spiritual bankruptcy of modern American institutions, the increasing right-wing takeover of cultural institutions in Eastern Europe, and the negative e-flux review of “The Influencing Machine” that just so happened to be written by a confirmed Soros mole.