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The Delta Flyers - DS9 Paradise 215 Audio

The Delta Flyers is hosted by Garrett Wang, Robert Duncan McNeill, Terry Farrell & Armin Shimerman. In each podcast release, they will recap and discuss an episode of Star Trek: Deep Space Nine. 

This week’s episode, Paradise, is hosted by Garrett Wang, Robert Duncan McNeill, & Armin Shimerman

Paradise: Sisko and O’Brien find themselves stranded on a world populated by survivors of a shipwrecked expedition, where none of their technology will function.

We want to thank everyone who makes this podcast possible, starting with our Production Managers Megan Elise & Rebecca McNeill.

Additionally, we could not make this podcast available without our Executive Producers:
Stephanie Baker, Jason M Okun, Marie Burgoyne, Kris Hansen, Chris Knapp, Janet K Harlow, Heidi Mclellan, Rich Gross, Mary Jac Greer, Mike Gu, Tara Polen, Carrie Roberts, Tom Paynter, AJC, Nicholaus Russell, Lisa Robinson, Alex Mednis, Holly Schmitt, James H. Morrow, Nicole Anne Toma, Roxane Ray, Andrew Duncan, David Buck, Ian Ramsey, Feroza Mehta, Jonathan Brooks, Rob Traverse, Matt Norris, Stephanie Lee, Izzy Jaffer, Jan Hanford, Sam Mikelic, Thomas Irvin, & Jonathan Capps

Our Co-Executive Producers:
Liz Scott, Sab Ewell, Sarah A Gubbins, Luz R., Utopia Science Fiction Magazine, Courtney Lucas, Elaine Ferguson, Captain Jeremiah Brown, E & John, Deike Hoffmann, Anna Post, Shannyn Bourke, Jenna Appleton, Lee Lisle, Sarah Thompson, Holly Smith, Amy Tudor, Mark G Hamilton, KMB, Dominic Burgess, Sandra Stengel, Normandy Madden, Joseph Michael Kuhlman, Darryl Cheng, Elizabeth Stanton, Tim Beach, Victor Ling, Shambhavi Kadam, Tae Phoenix, Donna Runyon, Nicholas Albano, Tim Neumark, Daniel O’Brien, Danie Crofoot, Randy Hawke, Steven Lugo, Rob Traverse, Penny Liu, David Smith, Stacy Davis, Kevin Harlow, & Hailey Lugo

And our Producers:
Philipp Havrilla, James Amey, Patrick Carlin, Jake Barrett, Ann Harding, Trip Lives, Samantha Weddle, Paul Johnston, Carole Patterson, Warren Stine, Carol Murphy, Jocelyn Pina, Mike Fillmon, Chad Awkerman, Mike Schaible, AJ Provance, Claire Deans, Maxine Soloway, Barbara Beck, Brianna Kloss, Dat Cao, Stephen Riegner, Debra Defelice, Alexander Ray, Vikki Williams, Cindy Ring, Alicia Kulp, Kelly Brown, Jason Wang, Gabriel Dominic Girgis, Maria Rosell, Heather Choe, Michael Bucklin, Lisa Klink, Dominique Weidle, Justin Weir, Jesse Bailey, Mike Chow, Kevin Hooker, Matt Edmonds, Miki T, John Richardson, Heather Selig, Rachel Shapiro, Stephanie Aves, Seth Carlson, Amy Rambacher, Jessica B, E.G. Galano, Annie Davey, Jeremy Gaskin, Charlie Faulkner, Estelle Keller, Greg Kenzo Wickstrom, Lisa Gunn, Lauren Rivers, Jennifer B, Gemma Laidler, Dean Chew, Linda Daireaux, Mars DeVore, Jennifer Vaughn, Walkerius Logos, PJ Pick, Preston M, Rebecca Leary, Ryan Mahieu, Andrew Cook-Feltz, Karen Galleski, Constance, Loretta Reyes, Timothy McMichens, Cassandra Girard, Francesca Garibaldi, Andrea Wilson, Carol Ramsey, Willow Whitcomb, Jadzia Mehari, Mo, Leslie Ford, Travis Campos, & Douglas Lawrence-Plant

Thank you for your support!

“Our creations are protected by copyright, trademark, and trade secret laws. Some examples of our creations are the text we use, artwork we create, audio, and video we produce and post. You may not use, reproduce, or distribute our creations unless we give you permission. If you have any questions, you can email us at thedeltaflyers@gmail.com.

The Delta Flyers - DS9 Paradise 215  Audio The Delta Flyers - DS9 Paradise 215  Audio The Delta Flyers - DS9 Paradise 215  Audio

Comments

Late to the party but Miles was striking the stones together to magnetise them to make his compass

Angela Marshall

My understanding is that it is difficult to get the trajectory right to launch a rocket into the sun. I could imagine that it would also be difficult to get a runabout to fly into the sun as well.

David Stowitts

I really liked the episode. I was so surprised they didn’t like it. Especially Armin. That’s ok everyone likes what they like.

Michelle Kruse

I’m sorry that Armin has had the experience of people pointing to particular DS9 episodes & saying that’s why they don’t like the show. Firstly, I did like this episode! Secondly, every show had, er , less good episodes you could point at, but it’s not a reason to dislike the show overall. As a TNG fan I’d say TNG’s worst episodes were worse than DS9’s worst but that’s no reason to hate TNG. I hope that makes sense!

Catherine Green

I definitely felt that she would deprive others publicly of what she might deign to use privately.

Jane Simpson

Love the podcast, love you guys, but I think you really missed the mark on this one: -There are no doors or windows to symbolically show that everything, all discourse between people, is visible to power and subject to surveillance, to forestall dissent. Much like China outlaws communications tech it can't monitor. -It's unbelievable that Alixus has a way to turn off the anti-tech device and send the ship away? How many cult leaders have we seen that demand an austere lifestyle for their followers but indulge in consumer excess themselves? And more to the point, allow some loyal members to live in the outside world as enforcers? She would absolutely have a way to detect and send away threats. -She says she doesn't belong at the end because she sees herself as a messiah. She led her people to the promised land, but she can't stay there (the episode is called Paradise). She even wrote scripture! -The children at the end are looking at the beam out, and the camera focuses on them to remind the audience that these children have never seen such technological marvels and can't make an informed choice. The adults know about the marvels of the federation and can make an informed choice to stay (if you ignore the cult programming they have endured...), but the children are getting dragged along to a life of hardship (and probably early death) without the ability to make that choice. It makes viewers focus on the pity of their plight, and the conflict in our society between the impetus to allow self-determination and the impetus to protect the innocent and vulnerable (children in cults, or even more established religious groups, being one of the major issues society has with them and one of the main justifications for intervention). -No one wants to talk about the metatext (apparent to the viewers, if not to the characters) of a black man being tortured to perform agricultural labor? The powerful dignity of Sisko enduring all that torture and never giving his torturers the satisfaction of even admitting he is suffering?

Christopher Smith

Ok

Robert Allen Stiffler

Gail Strickland is known for being a strong character actor.

ChrisB

I always thought Starfleet uniforms were futuristic material meant to be more comfortable in any environment. Not an extreme, pressurized environment suit but still cooler in heat and warmer in cold than any other clothes. ...but also, obviously, more symbolic of their Starfleet identity here.

ArtRobot

Whether former Starfleet or Federation citizens, her crime of marooning her crew under false pretense was a Federation crime and any Prime Directive restrictions do not apply here as it would to non-federation civilizations.

ArtRobot

Captain Sisko is a flawed character. That is what makes him great.

ChrisB

Having no doors and no privacy cut down on people plotting against what Alixus is creating and wants to keep. It’s a big autocratic move that people have no privacy. It’s not about bodies and bathrooms.

ChrisB

This was a good episode taking on a big important theme. Unfortunately it stands the test of time given our situation in the USA. Going backwards is not an option as nostalgic as it may seem. We must move forward.

ChrisB

I’m gonna have to respectfully disagree that it was an unsatisfactory ending. Often time Star Trek has an open ending for a reason. So this is a very heavy topic and there’s no way they can wrap it up in a nice bow realistically. So I think the ending was perfect. It made you think. It makes you think about the future. It was satisfying in that Alixus is going to get punished for her crimes.

ChrisB

Alixus knows she’s a criminal and knows that she cannot stay there. She’s admitting defeat.

ChrisB

Her son is an adult and committed crimes under her authority. He goes.

ChrisB

NO Prime Directive here. They are Starfleet.

ChrisB

It was a psychological game of wills.

ChrisB

So. When the leader left the room. What was stopping Sisko from drinking the water anyway

Robert Allen Stiffler

The runabout situation is contradictory and inconsistent because it is our first clue that Alixis is not being straight with anybody; that she can control the field.

ChrisB

Geez, “lasso” is figurative!

ChrisB

It’s a battle of wills over the uniform. Sisko will not let cult leader Alixus break him.

ChrisB

This episode was definitely a commentary on technology and where our society was at the time. It is a very prescient episode as you see what we have become now with technology. But that is Star Trek..:always forward-looking, always giving a message and that is why I absolutely love Star Trek.❤️

ChrisB

They didn’t go through the wormhole it’s planets near Bajor They never went through the wormhole. That’s why it’s already charted.

ChrisB

They are Starfleet.

ChrisB

They were curious because nothing showed up on the charts about the planet being inhabited so basically where did these people come from? And they’re humans. Of course they’re gonna go down and investigate that because it may be something nefarious. They have no way of knowing.

ChrisB

O’Brien has many skills.

ChrisB

I’m going to disagree with Robbie that they chose to stay at the end. No, they were going to think about what they were going to do. Which leaves it open that some of them or all of them might leave at some point in the future.

ChrisB

I don't think the Prime Directive applies here. If it did, you provide Alixus a legal loophole for her fraud, sabotage, and kidnapping: Simply leave Federation space. She would have gotten away with it too, if it weren't for that meddling Starfleet. The Prime Directive as such exists to protect cultures from external interference with their development. Alixus's paradise doesn't make sense without it being connected to, and a rejection of, the Federation. It's not a separate and distinct culture, it's part of the same one. Those books she brought with her are the proof.

Gary Alexander


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