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Evelyn Lark
Evelyn Lark

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Pokémon Red & Blue - Final Battle! (Rival) [Revision]

Made it just in time before June ended! I hope you all can excuse the lateness, this track is... a lot:

@0:00 - This arrangement very clearly takes inspiration from the FireRed/LeafGreen version of the tune.  I've always loved how "maximalist" those arrangements felt, and I tried my best to carry that energy into my own cover.

This "hugeness" always creates a challenge when it comes to balance and mixing. How do you create a track with intense guitars, drums, and bass while still highlighting an intricate orchestra part? I'm not asking because I know the answer yet, but here are some helpful tips I've picked up along the way:

This is where I put my bi-monthly "I actually don't have any formal training when it comes to mixing" disclaimer, so take whatever I say with a grain of salt. 

@0:06 - Anyway, onto the actual song. The bass in this piece is crazy, and I tried my best to make it audible in this dense arrangement. Usually I break my bass audio into two sections: High (~250hz High Pass) and Low (~250hz Low Pass), though occasionally when I want the track to stand out I have another High track with some medium distortion. Try it sometime if you're having  trouble hearing your bass' high end. 

@0:08 - Pokémon Synths almost have their own flavor, so when selecting them I try to find something that is clean, bright, and has a bit of legato glide. On the flip side, for melodies I like Trance-y semi-distorted leads. (Apologies, my synth patch terminology is bad).

@0:14 - I took a bit of inspiration from Verdi's Messa da Requiem for this little break. Whenever a piece is chromatically descending that's where my brain goes. 

Also, dispersed throughout this cover are little xylophone stabs. Despite the ferocity of this piece, I wanted to make sure it still felt like it was tied to Pokémon by adding a bit of subtle cartoonishness to the texture. 

@0:24 - the Timpani here is a mixture of a modern sample and a 90's sample. I wanted to highlight this part and 90's samples just cut through walls of sound really well!

@0:40 - This section is arguably the most important part of the song, so I wanted to use a lot of moving parts to stick the landing into the broader section. Also just to draw attention to it! 

@1:00 - That's me playing rhythm guitar!! I just started learning a few weeks ago, but I figured I'd throw in a few simple power chords there to beef up this sparser section. I'm hoping that as I improve I'm able to play more in my tracks!

That about wraps up my breakdown! This piece was so tough, I hope it shows! As always, I'm happy to answer any additional questions about this track down in the comments. Thanks for listening! <3


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