
Hi lovely peeps,
A while back I sketched a piece where the character was exploding into spikes.
I have always been fond of this drawing and the concept it works with, and always meant to make a bigger piece that follows the same lines.
But it has been an elusive one, one I can't quite seem to corner in a way I like enough to make a big painting out of.

In this old sketch, what I love most is the movement. How the position of the character makes it evident that there is movement.
What I like least is how obvious it is. I can't quite explain it, but what I love about it is also what I don't.
I know, I'm being silly. But I don't really know how else to explain it.
I love this sketch and how expressive it is, but I also don't love making emotions obvious in my work, so I think that that may be what I find uncomfortable about it and why I don't want to make it as it is into a painting. Am I making any sense at all?
And so we get onto the little painting I made based on the spike concept.
It started off as the below sketch, but that one was too......crystal like I think.

So as you can see, the final is a little less "bushy" and more geometrical.

I played with muted tones again to create a sharp contrast between the mask and the body.
You will be able to see the whole process of me painting this in this month's Process Video. ;)
I hope you'll enjoy this little piece in the meantime!
It was interesting to explore a more static version of the older sketch. I feel like this newer piece explores a more understated and still,( as in stillness) expression of the symbols of the spikes, which is also interesting.
I do like how one concept can be represented in many ways that all show a different side to an idea.
I wonder where this will lead next...:)
Thank you for reading, and I hope you are all well.
Love, M
Christin Unfred
2022-03-25 17:44:54 +0000 UTC