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Psyop Cinema

Psyop Cinema

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Psyop Cinema posts

Research Report 1 - The Dark Mirror and The Silence of the Lambs

The first installment of a new series for our Patreon subscribers, in which we semi-regularly provide short explanations concerning interesting info that we discover in the large amount of research we do for our main series. In this one, Brett uncovers the possible origin of the phrase "the silence of the lambs."

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Geoff Shullenberger on the Limits of the Red Pill and Independence Day/The Day After Tomorrow/2012

Thomas talks with Geoff Shullenberger, managing editor of Compact  Magazine and host of the Outsider Theory podcast. They discuss how the regime benefits from over-simplified understandings of the red and blue pills as well as from certain blends of conspiracy theory with  pop-spirituality. Roland Emmerich's "disaster trilogy" (Independence  Day, The Day After Tomorrow, and 2012) is also discussed, revealed as blatant propaganda for depopulation and globalist technocracy.  ...

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The Manchurian Candidate Who Killed John Lennon (Joker Interlude)

Brett goes deep into the background of Lennon's assassination, giving you everything you need to know about the troubling case of Mark David Chapman. Don't miss this striking compilation of the evidence that Chapman was a Manchurian candidate, programmed to take Lennon out. Essential listening before the future episode of our Joker series in which we cover Chapter 27, a Monarch film where Chapman is played by the ultra-sus Jared Leto. The killing of John Lennon turns out to be a key piece of ...

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Brett's Notes on The Visitor

The Visitor (1979)

Garish, Italian 70s aesthetic. “Spaghetti sci-fi.” Co-writer/Co-producer Ovidio Assonitis known as a rip-off artist, and this film clearly owes something to Carrie, The Omen, Close Encounters of the Third Kind, and more.

Assonitis claimed he was able to cast Huston because he had a “moral agreement” with him that he was available to be cast in any film at any time, Huston having previously starred in a film Ass...

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Batman vs Conspiracy Theorists (Joker 3)

We discuss the significance of Joker's ending and its depiction of the absolute breakdown of social foundations. Then we move on to The Batman, a painful waste of three hours dedicated to the idea that in order to truly be a hero, Batman must help AOC fight a domestic war on terror against incel conspiracy theorists. The Batman may be a terrible movie but it's replete with odd details that caught our attention. 

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Brett's Fincher Notes (3)

House of Cards (2013)

Fincher makes transition to TV that few if any major auteurs could make. Rare ability to bridge aesthetics/narrative conventions of film and TV.

No questions asked to Fincher about Spacey and MeToo. Guess he knew how to keep the right distance.

Romanticization/glamorization of transmoral political superclass, as if they are Olympians inhabiting a world too lofty for the rest of us to completely comprehend or sensibly judge. Anocratic pr...

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Why Were Lennon and Reagan Targeted?

After one of our recording sessions, I asked Brett for his thoughts on the dynamics that led to John Lennon and Ronald Reagan being targeted for assassination. His answer was interesting so I decided to post it here! But this is just a warm-up for Brett's comprehensive deep dive into Mark David Chapman and his killing of Lennon, which will be posted next week. 

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Ed Sheeran and Other Satanic Musicians (On William Ramsey Investigates)

William Ramsey invited us onto his show to discuss our research into the dark side of pop superstar Ed Sheeran. Thomas goes deep into the highly suspect background of Sheeran, Bring Me the Horizon, Cradle of Filth, and Grimes, while Brett breaks down the Monarch mind control symbols and themes present in Sheeran and Bring Me the Horizon music videos.

https://www.williamramseyinvestigates.com/
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The Dark Self (Joker 2)

Analyzing Joker gives us the chance to discuss the overall Psyop Cinema theory of culture, especially as related to the blurring of reality and fantasy and how that creates dark feedback loops between fiction and history. Thinking about Taxi Driver leads us to  consider the importance of the Phoenix Program for understanding our ongoing national trauma. We also talk about the inherent dangers of both comedy and method acting and how all of this relates to demon summoning  and human ...

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William Ramsey on Nazi Satanists, the Guilty West Memphis 3, and The Parallax View

We are joined by William Ramsey for a dark but important  conversation about violent Satanic crime and conspiracy. We talk about  the evil significance of Aleister Crowley and the Crowleyan world we now  live in. He explains the history and ideology of Satanic Nazi groups  like the Order of Nine Angles and Atomwaffen. We go deep into the  details of the West Memphis 3 case, arguing that Echols and the others  are guilty of the truly demonic crime. Finally, we dis...

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The Dark Self (Joker 1)

With this episode, we begin our Joker series, analyzing movies and themes related to the 2019 film. Directed by Todd Phillips and starring Joaquin Phoenix, Joker turns out to be a kind of master key for Psyop Cinema themes. We think about the history of the character, delve into Scorsese's The King of Comedy, and consider how the Joker's madness figures into the agenda of the global elite. 

Initially, this was simply going to be a bonus episode about the 2022 film The Batman, which...

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Controlled Opposition (Fincher 7)

Concluding our treatment of David Fincher's films, we discuss Mank. As we look back upon the arc of his serial killer heavy  filmography, Fincher's latest gives us some big hints about his true  motivations and perspective. We talk controlled opposition dynamics and  Hollywood's insatiable need to self-mythologize, before giving our picks  for the best and worst of Fincher's movies.

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Bonus Episode: The Visitor (1979)

We return to the world of sci-fi horror b-movies, this time discovering the importance of the strange 1979 film The Visitor. Its convoluted gnostic sci-fi mythology says the quiet part aloud regarding the darkest aspects of human potential spirituality. It's all about occult initiation and mind control, along with the sick fixation on traumatizing children. We unpack all the odd details about The Visitor and discuss the elite endgame for society. 

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Rachel Wilson on How the Elites Poison Women's Bodies and Minds, Globalist Occult Spirituality, and The Little Mermaid

Our interview of Rachel Wilson, author of Occult Feminism: The Secret  History of Women's Liberation. We talk with Rachel about how  ultra-wealthy elites have engineered contemporary culture, how some  supposedly grassroots liberation movements have secretly been cultivated  to serve anti-human agendas, and the socially subversive occult  messaging of The Little Mermaid. This episode also marks the Psyop Cinema debut of Thomas' wife Mariana, who brings her expertise &...

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Bad Dreams (Monarch 6)

In Brett's latest installment of his Monarch series, he covers the 1988 film Bad Dreams while also explaining the significance of the Nightmare on Elm Street franchise and discussing the real story behind Jonestown. His analysis reveals the chilling truth about "omega programming." 

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Manson Family Propaganda (Fincher 6)

We tease apart the limited hangout that is David Fincher's Mindhunter series. Fincher continues to distort the genuine nature of the serial killer phenomenon, glorifying the profiler and serial killer alike while giving borderline supernatural status to the latter. We identify the shocking length to which Mindhunter promotes Charles Manson's own account of his crimes.


Works Referenced -

Tom O’Neill, Chaos: Charles Manson, the CIA, and the Secret History of the Sixties ...

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The Aeon of the Child (H!ghland Interlude)

In a Psyop Cinema emergency broadcast, Thomas talks about the striking relevance of the recent violence on July 4th to his research concerning the ongoing sinister influence of Crowleyan occultism.

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Occult Woke Capital (Thomas Tangents)

An off-the-cuff rant that Thomas recorded a few days ago. It's the first of a new series, to be updated whenever a psyop related topic (that isn't analysis of a specific film) gets Thomas worked up enough that he has to talk about it. In this case, he talks about woke capitalism, American religion/philosophy, tarot, the New Age, feminist occultism, and more. 

First, he reacts to YouTube's promotion of "World Tarot Day" and academic Jodi Eichler-Levine's cringe-worthy promotion of D...

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Weaponized Cynicism (Fincher 5)

We explain how House of Cards' depiction of politics and Gone Girl's depiction of marriage both fit into Fincher's dark messaging. After talking about the creepy significance of Kevin Spacey's role in House of  Cards, we disagree about whether Gone Girl has any redemptive value.

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The Aeon of the Child (Part 1)

Part 1 of a bonus series in which Thomas describes his research into the dark triangulation of espionage, occultism, and child abuse in the 20th and 21st centuries. This episode argues for the importance of understanding Aleister Crowley as a crucial microcosm of these factors, while also touching on Parsons, Hubbard, and Cameron. 

The perspective on Crowley expressed in this episode relies most heavily on The Vice of Kings: How Socialism, Occultism, and the Sexual Revolution E...

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Misdirection (Fincher 4)

In our latest dissection of David Fincher's films, we get mad about Benjamin Button, talk about how The Social Network  conceals the truth about Facebook, and reveal how The Girl with the  Dragon Tattoo is a hidden endorsement of occult transhumanism.

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Film as Dark Magic (Psyop Cinema on Soul Purpose)

This episode has been up on our main podcast feeds for a bit, but I thought I'd post it here too, in case any of our patrons have not yet heard it. It's a conversation we had with MindSpaceArt, on his show Soul Purpose. We get deep into the Psyop Cinema critique of Hollywood and the occult and  also discuss possibilities for spiritual healing and moving beyond the  world of psyops.

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Far From Home (Monarch 5)

Brett delves into the disturbing career of Drew Barrymore, focusing on the 1989 film Far From Home, a thriller in which we see the convergence of many Monarch and cultural engineering tropes. 

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Misdirection (Fincher 3)

Our David Fincher series continues, with a brief analysis of Panic Room,  followed by an in-depth dissection of Zodiac, revealing how Zodiac  skillfully misdirects the audience from the true nature of the serial  killer phenomenon.

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Last Night in Soho (Monarch 4)

Brett breaks down the massive number of Monarch mind control tropes showcased in Edgar Wright's 2021 psychological horror film Last Night in Soho, revealing the film's sinister messaging. 

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Bonus Episode: Remote Control (1988)

Brett and Thomas break down the film Remote Control, directed by Jeff Lieberman. This little-known piece of 80s sci-fi turns out to be a near-perfect metaphor for cinematic mind control, an essential Psyop Cinema viewing. 

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Brett's Fincher Notes (2)

Panic Room (2002)

General

Panic Room he calls a “footnote movie,” a “guilty pleasure” movie, and a “popcorn movie.” Panic Room is merely “the sum of its parts” (whereas Fight Club is more). But maybe it’s the “footnote” movies that reveal darker truths (maybe unconscious?) about his worldview.

From 2014 Screen International interview:

“I liked the limitations of it, the constraint, th...

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The Aesthetics of the Sacred, Spiritual Warfare, and Kumare (with Owen Cyclops)

A lengthy conversation with the artist Owen Cyclops,  with topics including his perspective on spiritual warfare, the  relationship between truth and beauty, and the fascinating documentary Kumare.

https://owen-cyclops.myshopify.com/

http://owencyclops.com/

h...

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Cultural Nihilism (Fincher 2)

Continuing our analysis of Fincher, we finally get to Fight Club.  We first discuss how The Game is one of the most blatantly pro-psyop films ever made and then address how Fight Club, despite its complexity, ultimately conveys a message thoroughly in line with Great Reset style elite plans for society.

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Brett's Fincher Notes (1)

Notes on David Fincher

Background

Fincher, a Gen X’er, did big pop music videos and his artistry was thus not respected like that of, say, Spike Jonze and Michael Gondry. So there was this artistic-commercial battle even within an essentially promotional medium, as music videos had developed into a bona fide art form.

As for religion, he professes atheism (?) but is a client of guru and alleged “Yeshua”-channeler Carissa Schumacher.

Finc...

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