AG is turning back to the Smudging Goblin mode. Yeah, they're fine.
Amós Batista
2025-08-04 00:52:26 +0000 UTC
Well, one-year buffer can be almost impossible for an author that works alone. Willis has to use some tricks. You're right, it's very effective.
Amós Batista
2025-08-04 00:48:47 +0000 UTC
This is yet another extremely effective strip composed of nearly-identical panels. When a sequence of panels are almost the same, the small modulations of details pop out: in this case, Sal and Amber's facial expressions, and the color of Amber's speech balloons.
Against this setup of near-repetition, Asher's appearance, and the widening of the frame needed to accommodate it, put a nice punch behind the photobomb effect. It's new information, too—however widely guessed by commenters.
For comparison, note how the unused Joyce-Dorothy strip also uses the near-repetition technique, with slight movements of their hands moving closer, gazes moving toward each other, and final kiss—but it's a gentle, confirming last panel, whose lack of border continues us into the night (along with the darkening of the illumination from the screen when Joyce's arm closes the laptop).