XaiJu
KZEntertainment
KZEntertainment

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Columns and Updated the camera work.

Updated the camera work. ๐Ÿ‘‰ URL
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The Charm and Techniques of Camera Work for MMD

Hello! Today, I would like to talk about the camera work I am creating for MMD (MikuMikuDance).

The most distinctive feature of my camera work is its emphasis on close-up perspectives. This style sets it apart from other works. In fact, the reason close camera work is not often used is not only a matter of preference but also due to technical challenges.

First, consider the visual tracking aspect. For example, there is a significant difference in the difficulty of tracking a coin dropped 30 cm in front of us compared to one dropped 2 meters away. Following a moving subject up close is quite challenging. While it may be easy to fit it into the frame, the camera movements can often become awkward.

To tackle this challenge, I use interpolation curves to achieve smooth camera work. This technique may seem basic, but it actually requires advanced skills. Careful attention is paid to the design of the curves, adjusting them to ensure the movement appears natural, allowing for powerful expressions without causing discomfort to the viewer.

The completed camera work stimulates the viewer's fetishism, immersing them in the approaching characters and movements, which elicits a stronger emotional response. While it may seem simple at first glance, it is supported by very intricate techniques.

Finally, your support is the driving force behind my creations. I hope you will continue to pay attention to my camera work and enjoy it!
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MMD็”จใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใฎ้ญ…ๅŠ›ใจๆŠ€่ก“

ใ“ใ‚“ใซใกใฏ๏ผไปŠๅ›žใฏใ€็งใŒๅˆถไฝœใ—ใฆใ„ใ‚‹MMD๏ผˆMikuMikuDance๏ผ‰็”จใฎใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใซใคใ„ใฆใŠ่ฉฑใ—ใ—ใพใ™ใ€‚

็งใฎใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใฎๆœ€ๅคงใฎ็‰นๅพดใฏใ€ๆŽฅ่ฟ‘ใ—ใŸ่ฆ–็‚นใ‚’้‡่ฆ–ใ—ใฆใ„ใ‚‹ใ“ใจใงใ™ใ€‚ไป–ใฎไฝœๅ“ใจใฏไธ€็ทšใ‚’็”ปใ™ใ“ใฎใ‚นใ‚ฟใ‚คใƒซใ€‚ๅฎŸ้š›ใ€่ฟ‘ๅฏ„ใฃใŸใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใŒใ‚ใพใ‚Šไฝฟใ‚ใ‚Œใชใ„็†็”ฑใฏใ€ๅฅฝใฟใ ใ‘ใงใชใใ€ๆŠ€่ก“็š„ใช่ชฒ้กŒใซใ‚‚ใ‚ใ‚Šใพใ™ใ€‚

ใพใšใ€่ฆ–่ฆš็š„ใช่ฟฝๅพ“ๆ€งใซใคใ„ใฆ่€ƒใˆใฆใฟใฆใใ ใ•ใ„ใ€‚ใŸใจใˆใฐใ€ใ‚ณใ‚คใƒณใ‚’็›ฎใฎๅ‰30cmใฎไฝ็ฝฎใซ่ฝใจใ—ใŸๅ ดๅˆใจ2mๅ…ˆใซ่ฝใจใ—ใŸๅ ดๅˆใ€็งใŸใกใฎ็›ฎใงใใ‚Œใ‚’่ฟฝใ†้›ฃใ—ใ•ใซใฏๅคงใใช้•ใ„ใŒใ‚ใ‚Šใพใ™ใ€‚่ฟ‘ใใงๅ‹•ใ่ขซๅ†™ไฝ“ใ‚’่ฟฝใ†ใฎใฏใ€้žๅธธใซ้›ฃๆ˜“ๅบฆใŒ้ซ˜ใ„ใฎใงใ™ใ€‚็”ป้ขใซๅŽใ‚ใ‚‹ใฎใฏ็ฐกๅ˜ใงใ‚‚ใ€ใ‚ซใƒกใƒฉใฎๅ‹•ใใŒใŽใ“ใกใชใใชใ‚ŠใŒใกใงใ™ใ€‚

ใ“ใฎ่ชฒ้กŒใซๆŒ‘ใ‚€ใŸใ‚ใซใ€็งใฏ่ฃœๅฎŒๆ›ฒ็ทšใ‚’ไฝฟใฃใฆๆป‘ใ‚‰ใ‹ใชใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใ‚’ๅฎŸ็พใ—ใฆใ„ใพใ™ใ€‚ใ“ใฎๆŠ€่ก“ใฏๅŸบๆœฌ็š„ใชใ‚‚ใฎใซๆ€ใˆใพใ™ใŒใ€ๅฎŸใฏ้ซ˜ๅบฆใชๆŠ€่ก“ใŒๆฑ‚ใ‚ใ‚‰ใ‚Œใพใ™ใ€‚ๆ›ฒ็ทšใฎ่จญ่จˆใซใฏ็ดฐๅฟƒใฎๆณจๆ„ใ‚’ๆ‰•ใ„ใ€ๅ‹•ใใŒ่‡ช็„ถใซ่ฆ‹ใˆใ‚‹ใ‚ˆใ†่ชฟๆ•ดใ™ใ‚‹ใ“ใจใงใ€่ฆ–่ด่€…ใซ้•ๅ’Œๆ„Ÿใ‚’ไธŽใˆใ‚‹ใ“ใจใชใใ€่ฟซๅŠ›ใ‚ใ‚‹่กจ็พใŒๅฏ่ƒฝใซใชใ‚Šใพใ™ใ€‚

ใ“ใ†ใ—ใฆๅฎŒๆˆใ—ใŸใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใฏใ€่ฆ–่ด่€…ใฎใƒ•ใ‚งใƒใ‚บใƒ ใ‚’ๅˆบๆฟ€ใ—ใ€่ฟ‘ใใง่ฟซใ‚Šใใ‚‹ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚„ๅ‹•ใใซๆฒกๅ…ฅใ™ใ‚‹ใ“ใจใงใ€ใ‚ˆใ‚Šๅผทใ„ๆ„Ÿๆƒ…็š„ใชๅๅฟœใ‚’ๅผ•ใ่ตทใ“ใ—ใพใ™ใ€‚ไธ€่ฆ‹ใ‚ทใƒณใƒ—ใƒซใซ่ฆ‹ใˆใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ๅฎŸใฏ้žๅธธใซ็ทปๅฏ†ใชๆŠ€่ก“ใซๆ”ฏใˆใ‚‰ใ‚Œใฆใ„ใพใ™ใ€‚

ๆœ€ๅพŒใซใ€็š†ใ•ใ‚“ใฎใ‚ตใƒใƒผใƒˆใŒ็งใฎๅˆถไฝœใฎๅŽŸๅ‹•ๅŠ›ใงใ™ใ€‚ใ“ใ‚Œใ‹ใ‚‰ใ‚‚็งใฎใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใซใœใฒใ”ๆณจ็›ฎใ„ใŸใ ใใ€ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใ‚Œใฐๅฌ‰ใ—ใ„ใงใ™๏ผ

Columns and Updated the camera work.

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