I'm doing things slightly differently with Predators lately. In previous pages I'd try to get through the page done in one draft. Act II of the comic is more thought-out, with pages going through 2 or 3 drafts, and more effort on the sketches themselves. I'm starting to realize this makes a huge difference in page layout, flow, expressions, and making sure I hit all the 'beats' I need to touch on for each page. In the long run, it should help avoid lingering, dull dialogue or static scenes like i'd done sometimes in the past. Each page should feel fun, have a goal, and set up the next.
This whole segment is vital. I'm really hoping to sell you guys on Massak and Tala. I've gone through their meeting and greeting so many times in my head, that I finally have a version that feels believable and not too slow or fast. I'm not afraid to go back and edit pages either, several times I've done it in the past, long as the end result fits.
That being said, I do like hearing feedback from y'all, and while I usually don't have dialogue done for the sketch parts, the idea is that the art does more of the heavy lifting of engaging expressions. In this page, Tala, over the shock of Massak's initial appearance, realizes she attacked him, as he attempts to calm her and and lighten the mood.
Bespin
2019-03-10 03:43:59 +0000 UTCDiamondstorm
2019-03-09 00:02:28 +0000 UTCKaneine
2019-03-08 19:34:14 +0000 UTCApostrophe(')
2019-03-08 19:28:31 +0000 UTCExtremistLine
2019-03-08 15:32:01 +0000 UTCAntoine Davis
2019-03-08 15:30:40 +0000 UTC