Fundamentals of Photography: The Basic Camera 1948 US Navy Training Film MN-5383

more at http://quickfound.net/

Originally a public domain film from the US Navy, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.

The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).

https://en.wikipedia.org/wiki/Camera

Wikipedia license: http://creativecommons.org/licenses/by-sa/3.0/

A camera is an optical instrument to capture still images or to record moving images, which are stored in a physical medium such as in a digital system or on photographic film. A camera consists of a lens which focuses light from the scene, and a camera body which holds the image capture mechanism.

The still image camera is the main instrument in the art of photography and captured images may be reproduced later as a part of the process of photography, digital imaging, photographic printing. The similar artistic fields in the moving image camera domain are film, videography, and cinematography.

The word camera comes from camera obscura, which means "dark chamber" and is the Latin name of the original device for projecting an image of external reality onto a flat surface. The modern photographic camera evolved from the camera obscura. The functioning of the camera is very similar to the functioning of the human eye. The first permanent photograph was made in 1825 by Joseph Nicéphore Niépce...

A camera captures light photons, usually from the visible spectrum for human viewing, but in general could also be from other portions of the electromagnetic spectrum.

All cameras use the same basic design:

light enters an enclosed box through a converging or convex lens and

an image is recorded on a light-sensitive medium (mainly a transition metal-halide).

A shutter mechanism controls the length of time that light can enter the camera.

Most photographic cameras have extra functions that allow

a person to view the scene to be recorded,

a desired part of the scene to be in focus, and

control of exposure so that it is not too bright or too dim.

On most digital cameras a display, often a liquid crystal display (LCD), permits the user to view the scene to be recorded and settings such as ISO speed, exposure, and shutter speed...

Traditional cameras capture light onto photographic plate or photographic film. Video and digital cameras use an electronic image sensor, usually a charge coupled device (CCD) or a CMOS sensor to capture images which can be transferred or stored in a memory card or other storage inside the camera for later playback or processing.

A wide range of film and plate formats have been used by cameras. In the early history plate sizes were often specific for the make and model of camera although there quickly developed some standardisation for the more popular cameras. The introduction of roll film drove the standardization process still further so that by the 1950s only a few standard roll films were in use. These included 120 film providing 8, 12 or 16 exposures, 220 film providing 16 or 24 exposures, 127 film providing 8 or 12 exposures (principally in Brownie cameras) and 135 (35 mm film) providing 12, 20 or 36 exposures – or up to 72 exposures in the half-frame format or in bulk cassettes for the Leica Camera range.

For cine cameras, film 35 mm wide and perforated with sprocket holes was established as the standard format in the 1890s. It was used for nearly all film-based professional motion picture production. For amateur use, several smaller and therefore less expensive formats were introduced. 17.5 mm film, created by splitting 35 mm film, was one early amateur format, but 9.5 mm film, introduced in Europe in 1922, and 16 mm film, introduced in the US in 1923, soon became the standards for "home movies" in their respective hemispheres. In 1932, the even more economical 8 mm format was created by doubling the number of perforations in 16 mm film, then splitting it, usually after exposure and processing. The Super 8 format, still 8 mm wide but with smaller perforations to make room for substantially larger film frames, was introduced in 1965...