XaiJu
SAS_ART
SAS_ART

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CMR 2-D

Now he's done it.

Kind of enjoying the buildup here.  This is the first significant sequence I can think of where we take the character from a relatively peaceful place and then put her in a situation that triggers a change.  Most of my sequences start mid-crisis or with a random exposure to a mutagenic substance or the full moon.  (Or they're fist TF/origin sequences.)    This gives it more the feel of an episode of the old Hulk show--or an old  Saturday morning cartoon, which is where the Cro-Magna draws its influence from.

In that vein, I hope the open, upright palm and lack of followthrough helps make it clear that the henchman is more shoving Dana than striking her.  In the 1980's, a male villian striking a female character would not have flown on network Saturday morning TV, I don't think--at least in the USA.

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