ボテ腹爆乳といったら牛コスだよね

例のボツネタ。

爆乳ボテ腹ってのは人体デッサンをあえて狂わせないと魅力的にならないので、比較的デッサンに忠実に描くタイプの僕にはやや苦手なテーマですが、この下品さは確かにそそるものがあるなぁ・・・

人妻完全版、おかげさまで大変好評です。

FANZA初作品のサークルとは到底思えない初速の強さ。

すごい。

FANZAは初登録だと認知度がゼロなので、たとえプロとしての実績があっても、普通の立ち回りをしていると埋もれてしまう可能性は十分あります。

今回は作品本来の力を信じて、初手でFANZAに広告を打ってもらえるよう一回商業フロアを経由することで作品に箔をつけるという荒技をしかけたのですが、その賭けはまんまと成功したようです。

「今時商業エロ漫画やる意味あるの？(笑）」という意見を時々みかけるので、

「プロにはプロのコネクションがある」

…ということでしょうか。

正直、賭けに失敗した場合メンツ丸潰れだったので心配は多々あり、単なる結果論という気もしますが、結果良ければよし。

これで以後FANZAに作品登録もしやすくなりました。

とはいえ、今のFANZAは小粒な作品をコンスタントに出すよりは、入念に準備した大作を年単位で出したほうが良い、と僕は考えているのですが。

This is the rejected proposal we talked about last time.

Illustrations on the theme of big tits and pregnant belly have to be intentionally distorted to look attractive, which is not a good theme for a cartoonist like me, whose human body drawing is relatively accurate.

But this vulgar atmosphere is certainly appealing to me as well.

The full version of Married Woman is very popular thanks to everyone.

The initial speed is so fast that it is hard to believe that this is the first work from a circle that appeared on FANZA for the first time.

This is honestly amazing.

Circles that are registering for the first time have zero recognition, so even if they have a professional track record, there is a high possibility that they will fail with ordinary strategies.

Believing in the power of the work itself, I took a gamble by going through the commercial floor once to prove the popularity of the work and then coming back to FANZA to receive advertising rights.

My bet seems to have succeeded.

In fact, had I lost the bet, my credibility in the industry would have been greatly damaged.

I was nervous the whole time, but I am happy with the outcome.

In the category of erotic manga,I sometimes find this comment akin to ridicule, "What is the point of doing a professional magazine serialization nowadays?

Maybe I wanted to prove that professionals have their own strategies.

Now I can more comfortably register my works on Fanza from now on.

However, I think it would be better for FANZA to present carefully prepared large-scale works on an annual basis than to consistently present compact works.