A new tutorial video, complete with at least three audible stomach gurgles. Let’s think of them as easter eggs hah!
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By the end of this tutorial, you should be able to:
One limitation with working with major scales is that you’re limited to a particular emotional character. If you want to express something different from the character of a major scale (darker, lighter, more mysterious etc.) you can use the modes of the major scale.
For example, in the video, I play the C# major scale starting on the 2nd note (D#). Now D# is the new tonic and is where all the other notes want to resolve. This particular scale is called D# Dorian. Here’s a list of all seven modes of the major scale:
Each mode has a unique, emotional quality. In some cases, it can be helpful to think of these modes on a scale of lightness and darkness. From light to dark:
Want to write music that sounds evil? Start with the Phrygian mode. How about music that sounds cool and mysterious? Try Dorian and Mixolydian. How about music for a sunrise? Start with Lydian and Ionian.
For practice, I’d recommend taking any mode and establishing a sense of stability within that mode using the 1st, 3rd and 5th scale degrees. Then write a melody using all the other notes. To create compositional development, do this again with a different mode and put them together.
More information about modes can be found in this Wiki, under “Modern modes:”
Note: as it says in the Wiki, the Locrian mode is inherently unstable. Keep that in mind if you want to write something using that mode!