There are some poses that just strike me as fun to draw. This is one.

Although it works well by itself, I saw an opportunity to add some draped fabric into the mix. If I manage it well, the additional shapes can flesh out the composition in a satisfying way.

I already enjoyed the dark graphic shape of her hair. I decided to make the fabric a dark tone as well, so that I could repeat and echo that further. I've highlighted the simplified shapes that I'm seeing here. As I place these, I'm very conscious to create variety. Each of the shapes must be unique in size and character. If the shapes are too similar it would deaden the abstract appeal and stiffen the composition.
There are several layers to this, which I shift my focus between as I work. Above, I've also blocked in the shadow masses. These shapes, too, must be varied. Often, especially with a dynamic pose such as this, that occurs naturally.
Try looking at the above image through tightly squinted eyes. They look quite similar as the lines and details of the finished drawing fade away. This big abstract arrangement of shapes is really what makes or breaks a drawing. The finer details are just dressing on top, which serve to flesh it out.
Lane.Draws
2025-06-30 03:00:22 +0000 UTCNorman Bonney
2025-06-29 22:23:59 +0000 UTC