I enjoy working with dancers like Miriam here.
It’s usually very controlled—you can repeat each pose until you get the light just right and freeze the moment, then move on…
And I also admire the capabilities and musculature of dancers, like this.
The light was a 57-inch zeppelin, but with the diffuser removed to give it more punch and a lamp with a large reflector pointed inward so it became a big deep silver umbrella.