Broey Deschanel

Male Weepies: A Misunderstood Genre (early access)

Added 2024-04-28 16:12:53 +0000 UTC

Male weepies are hyper-masculine, but is that a bad thing?

SOURCES:

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Christine Emba, “Men are lost. Here’s a map out of the wilderness” The Washington Post (2023).

Caitlin Flanagan, “In Praise of Heroic Masculinity” The Atlantic (2023).

Martin Fradley, “Maximus Melodramatic” in Action and Adventure Cinema, Routledge (2004).

Conor Friedersdorf, “21 Reader Views on the Masculinity Crisis” The Atlantic (2022).

Sarah Hughes, “Creed and the secrets of a male tear-jerker: From Field of Dreams to Good Will Hunting” Independent (2016).

Idrees Kahloon, “What’s the Matter with Men?” The New Yorker (2023).

Majorie D. Kibby, “NOSTALGIA FOR THE MASCULINE: Onward to the Past in the Sports Films of the Eighties” Canadian Journal of Film Studies, Vol. 7 (Spring 1998).

Tom Lutz “Men’s Tears and the Roles of Melodrama” Boys Don’t Cry, Columbia University Press (2002).

Peggy Orenstein, “The Miseducation of the American Boy” The Atlantic (2020).

Peter Rainer, “COMMENTARY : A Touchy-Feely Summer of Tears and Testosterone : Movies: A new character emerges for the ‘90s--the sensitive male. Even the Terminator qualifies.” Los Angeles Times (1991).

Heather Stewart,, ‘Andrew Tate is a symptom, not the problem’: why young men are turning against feminism, The Guardian (2024).

Chuck Tryon, “Rebooting the Politics of the Sports Melodrama: Creed vs Rocky” Film Reboots, Edinburgh (2020).