.Y
Leonardo Battaglini posts
.B (tech details)
Camera settings
ISO 800
1/60s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
In this shot there is a single large French window (the one you see in the photo) that provides the beautiful light that illuminates the scene, no auxiliary light and no reflective panel. The pose, as much as it seems a bit "particular", works well because it is spontaneous and because the body forms ...
.G
Camera settings
ISO 1600
1/80s
f/2.5
50mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
A spontaneous smile and everything is said. Seriously, it doesn't matter how the camera is setted, it doesn't matter if the light is perfect, not even how open or closed the diaphragm is... what matters is what the image conveys and in this case "beauty". For the most technicalists: the focus is obvi...
.B (tech details)
Camera settings
ISO 100
1/1250s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
We are in a typical student apartment, it's a warm morning at the beginning of September and B has never been photographed in a shooting. Contrary to what you might think, inexperience (sometimes) can play in our favour, "not knowing how to pose" can help you be yourself more easily and letting your...
.C (tech details)
Camera settings
ISO 100
1/250s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
In this outdoor photo, we are in a particular place: above a tower with a circular terrace and sea view and it's sunset time (golden hour!). I know, in the shot you can't see all this but it's precisely the set of these elements that provides interesting light and shadows and that particular mood tha...
.I (tech details)
Camera settings
ISO 400
1/320s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
Skin, cold wall surface and natural light are the ingredients of this shot. The light comes from a window located to the left of the subject, the wall acts as a large reflective panel and the girl is perfectly illuminated in a half counter-light without the need to overexpose or underexpose. It's the...
