.B
Leonardo Battaglini posts
.F (tech details)
Camera settings
ISO 400
1/320s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
This time I chose a diptych. I believe that these two shots must exist together. Once again the simple and unique natural light is the only source of lighting, the source is front-on the left of the model and is natural light entering from a window. Usually in this type of close-up shots it is a good...
.G (tech details)
Camera settings
ISO 400
1/320s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
In this backlight shot I worked without auxiliary lights and/or reflective panels, fundamental were a correct exposure (obviously in manual) and a good development in post-production. A help was given by the wall behind the model, in fact this allowed (like a huge reflective panel) to lighten the ent...
.D (tech details)
Camera settings
ISO 400
1/100s
f/2.2
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
In this shot, the "main" (and natural) light comes from a window to the left of the subject, which illuminates the face and highlights the breast. There is also a second window (always on the left but further back) whose light arrives less strongly on the back and lightens slightly. Precisely thanks ...
.AJ (tech details)
Camera settings
ISO 400
1/80s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
Sometimes changing perspective slightly helps to see things differently. A ladder, getting up a little, can be a very simple solution to do this (especially if you are not particularly tall!). Also this time only natural light, the window in front of me lets in the external light that is gently spread...
.P (tech details)
Camera settings
ISO 3200
1/800s
f/2.8
35mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
Late morning on a day in July, the sun outside is already high and the light pushes strong. The location is a room with a large window, the light (the only source of lighting) enters through the slats of the roller shutter and illuminates the environment timidly. In this shot I deliberately chose to...
.G (tech details)
Camera settings
ISO 100
1/3200s
f/1.8
55mm (prime lens)
WB Auto
Color Adobe RGB (1998)
Saving file format: RAW
How it is made
It was supposed to be a shooting "in the house" but then while I was shooting I discovered that the location offered a beautiful terrace with a nice interesting light... and obviously I couldn't help but take advantage of the opportunity! The sun was already high enough but just a little bit of shad...
