The Museum of Failure[1] is a museum that features a collection of failed products and services. The touring exhibition provides visitors with a learning experience about the critical role of failure in innovation and encourages organizations to become better at learning from failure. Samuel West's 2016 visit to the Museum of Broken Relationships in Zagreb, Croatia, inspired the concept of the museum.[2] Museum founder and curator Samuel West reportedly registered a domain name for the museum and later realized he had misspelled the word museum.[3] The Swedish Innovation Authority (Vinnova) partially funded the museum.[4] The exhibition opened on June 7, 2017, in Helsingborg, Sweden.[3] The exhibit reopened at Dunkers Kulturhus on June 2, 2018, before closing in January 2019. A temporary exhibit opened in Los Angeles, California, in December 2017.[5] The Los Angeles museum was on Hollywood Boulevard in the Hollywood & Highland Center.[6] The exhibit opened in January - March 2019 at Shanghai, No.1 Center (上海第一百货). [7] And in December 2019 a smaller version opened in Paris, France at the Cité des Sciences et de l'Industrie along with other interesting failure-related exhibitions for the "Festival of Failures" (Les Foirés festival des flops, des bides, des ratés et des inutiles).[8]
The Divorce Colony: How Women Revolutionized Marriage and Found Freedom on the American Frontier is a nonfiction book by April White. Published by Hachette Book Group in 2022, The Divorce Colony examines the role of Sioux Falls, South Dakota as a destination for divorce seekers through personal stories. Excerpts were published in The Boston Globe,[1]Smithsonian Magazine,[2] and on Politico.[3]
An unusual unit of measurement is a unit of measurement that does not form part of a coherent system of measurement, especially because its exact quantity may not be well known or because it may be an inconvenient multiple or fraction of a base unit.
Many of the unusual units of measurements listed here are colloquial measurements, units devised to compare a measurement to common and familiar objects.
Reality television is a genre of television programming that documents purportedly unscripted real-life situations, often starring unfamiliar people rather than professional actors. Reality television emerged as a distinct genre in the early 1990s with shows such as The Real World, then achieved prominence in the early 2000s with the success of the series Survivor, Idols, and Big Brother, all of which became global franchises.[1] Reality television shows tend to be interspersed with "confessionals", short interview segments in which cast members reflect on or provide context for the events being depicted on-screen; this is most commonly seen in American reality television. Competition-based reality shows typically feature the gradual elimination of participants, either by a panel of judges, by the viewership of the show, or by the contestants themselves.
Joan Crawford (born Lucille Fay LeSueur; March 23, 190?[Note 1] – May 10, 1977) was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Paul Bunyan is a giantlumberjack and folk hero in American[2] and Canadian folklore.[3] His tall tales revolve around his superhuman labors,[4][5] and he is customarily accompanied by Babe the Blue Ox, his pet and working animal. The character originated in the oral tradition of North American loggers,[2][4][5] and was later popularized by freelance writer William B. Laughead (1882–1958) in a 1916 promotional pamphlet for the Red River Lumber Company.[6] He has been the subject of various literary compositions, musical pieces, commercial works, and theatrical productions.[2] His likeness is displayed in a number of oversized statues across North America.[7][8]
Yevgeny Viktorovich Prigozhin[a] (Russian: Евге́ний Ви́кторович Приго́жин, IPA: [jɪvˈɡʲenʲɪj ˈvʲiktərəvʲɪtɕ prʲɪˈɡoʐɨn]; 1 June 1961 – 23 August 2023) was a Russian mercenary leader and oligarch.[4] He led the Wagner Group private military company and was a close confidant of Russian president Vladimir Putin until launching a rebellion in June 2023.[5] Prigozhin was sometimes referred to as "Putin's chef" because he owned restaurants and catering businesses that provided services to the Kremlin.[6] Once a convict in the Soviet Union,[7] Prigozhin controlled a network of influential companies whose operations, according to a 2020 investigation, were "tightly integrated with Russia's Defence Ministry and its intelligence arm, the GRU".[8]
HMS Wager was a square-rigged sixth-rate Royal Navy ship of 28 guns. She was built as an East Indiaman in about 1734 and made two voyages to India for the East India Company before the Royal Navy purchased her in 1739. She formed part of a squadron under Commodore George Anson and was wrecked on the south coast of Chile on 14 May 1741. The wreck of Wager became famous for the subsequent adventures of the survivors who found themselves marooned on a desolate island in the middle of a Patagonian winter, and in particular because of the Wager Mutiny that followed.
