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Psyop Cinema

Psyop Cinema

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Psyop Cinema posts

Morbin' Time (Jared Leto 6)

Our Leto series takes us to the infamous 2022 film Morbius. Like Leto's career, Morbius is a highly synthetic product, a strange blend of ideas and images from earlier movies in the superhero genre. We cover the memes mocking the absurdity of the film's existence and discuss how Jared Leto in a superhero-vampire role takes us to the exact occult transhumanist themes one would expect.

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The Conspiracy (2012)

Thomas takes a look at The Conspiracy, a 2012 found footage film about documentary filmmakers who end up in over their heads when investigating the topic of conspiracy theories. While seeming to take the subject seriously, this well made thriller ends up being yet another attempt to use psychologization as a means to dismiss conspiracy realities. While pointing out the weak spots in this film and its director's perspective, Thomas takes the opportunity to give some thoughts on the epistemic v...

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Woke Horror, with Rachel Wilson and Dissident Mama

Thomas is joined by both Rachel Wilson and Rebecca Dillingham (Dissident Mama) for a discussion of the thriving subgenre of woke-themed horror. We take a look at the movies Antebellum and Don't Worry Darling, breaking down the inversion, projection, and misdirection in their depictions of mind control. Rachel and Rebecca also rip apart the factual inaccuracies in Antebellum's portrayal of the 19th century South and the failed propaganda of Don't Worry Darling's portrait of 1950s suburban Amer...

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Brett's Close Encounters of the Third Kind Notes

Close Encounters of the Third Kind (1977)

Background

Supposedly the Air Force and NASA declined to participate on the film, and NASA wrote a twenty-page letter to Spielberg saying it was “dangerous” to release it. In a 1978 Cinema Papers interview, he said:

If NASA took the time to write me a 20-page letter, I knew there must be something happening. When they read the script, they got very angry and felt that it was a film that would be dangerou...

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The Collins Brothers on the Religion of the Beyond and Close Encounters of the Third Kind

We are joined by Paul and Phillip Collins to discuss their book Invoking the Beyond. The Collins brothers' research details how the ideology of techno-utopianism replaces the divine with counterfeits such as AI, superweapons, or extraterrestrial 'gods,' using these surrogates to epistemically overwhelm humanity and push for the creation of a 'New Man.' We get into the historical and philosophical aspects of this elite religion of "the beyond," focusing on the increasingly mainstreamed UFO-psy...

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Badlands, with Steven DeLay (Malick 1)

Brett and Thomas are joined by philosopher Steven DeLay, for the first of an intermittent series we'll be doing with him on the films of Terrence Malick. After giving an overview of Malick, we analyze the his movie that most directly interacts with the major topics of Psyop Cinema, his 1973 debut Badlands. We discuss how it treats the themes of social alienation, nihilism, and dissociation and consider the possibility that this poetic and eerie lovers-on-the-run crime drama is secretly an MKU...

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Brett's Get Out Notes

Get Out (2017)

Background

There are over a dozen people with various production credits and various levels of susness. Many have worked together previously, in the Purge movies, for example. Jason Blum, of course, is ultra-sus, and Couper Samuelson is no stranger to psyopy productions. Executive producer Jeanette Volturno has produced a bucket of sus.

One specific highlight is worth mentioning. Edward H. Hamm, Jr., one of four people with a “produ...

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The Unholy (2021)

Thomas gives a soft recommendation to The Unholy, a serviceable 2021 horror film with an admirably thoughtful depiction of false miracles and prelest. In addition to discussing the movie's thematic merits, he gives some quick broader thoughts on the problems with redeeming the horror genre. 

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Get Out, with Sean McCann

Brett and Thomas are joined by Sean McCann, for a conversation about Jordan Peele's influential 2017 horror film Get Out. They discuss whether the film's depiction of occult secret societies and trauma-based mind control is ultimately helpful or harmful, getting into the relevance of the film's treatment of racism and what all this reveals about the mindset of the predatory superclass.

https://onegreatworkne...

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The Rage (Research Report 5)

Brett unearths a forgotten B-movie starring Gary Busey as the head of a gang of former Phoenix Program assassins responsible for scores of psychosexual murders blamed on a serial killer. All thirteen members of the gang were confined to a psychiatric facility and subjected to constant drugging and electroshock before being unleashed on the civilian population—an especially relevant detail, given that director Sidney J. Furie also directed one of the earliest MKUltra films, The Ipcress File ...

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Brett's Creation of the Humanoids Notes

The Creation of the Humanoids (1962)

Background

Director Wesley Barry was born in Hollywood and got his start as a child actor in the silent era. He actually looks like the little kid Stranger from Dark City, which is interesting because Creation of the Humanoids has other Dark City connections (see below).

He was the assistant director on the population control predictive programming TV movie The Last Child (1971...

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Brett's Notes on The Little Things

The Little Things (2021)

Background

Lots of mega-Hollywood power players involved in the production. Not really anyone ultra-sus, though, except Mike Drake and maybe Nicholas Sparks.

Executive producer Mike Drake executive produced the Nightmare on Elm Street (2010) remake as well as The Number 23 (2007). Drake also received an associate producer credit for the Monarch film The Caveman’s Valentine 2001).

Co-produce...

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Creation of the Humanoids, with Ken Ammi

Brett speaks with Ken Ammi about Creation of the Humanoids, a 1962 sci-fi film full of transhumanist themes. They discuss the blend of occultism, evolution, and technology, seen in the film's depiction of humanity becoming interchangeable with machines. Brett and Ken also discuss the film's strange background, the usual mind control tropes, as well as the relevance of Gnostic thought. Thomas adds an addendum to  their discussion, analyzing a scene that shows the confluence of  femin...

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The Little Things (Jared Leto 5)

We sift through more serial killer misdirection as we analyze The Little Things, an enigmatic thriller starring Denzel Washington and Jared Leto. All the usual themes of religious engineering and hints of the realities of Programmed to Kill conspiracies are present. Ultimately, this film's odd meta-commentary on the serial killer genre seems to be mostly about Leto's real life pretensions at being a master manipulator.

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The Demolitionist (Monarch 10)

In the tenth installment of the Monarch series, Brett breaks down The Demolitionist, a 1995 Robocop ripoff about a female cop who is “crucified” and then “resurrected” into a government-controlled super soldier by an MK-alchemist named Jack Crowley—the name an obvious amalgam of Jack Parsons and Aleister Crowley. Analysis of this film provides important insights into the role that the hijacking and inversion of Christian theology plays in Monarch-style mind control, both at an indiv...

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IMSAs in Ukraine (Part 2)

Thomas continues his investigation into the phenomenon of Illuminati Mind Slave Artists filming music videos in Ukraine and promoting Spectre-approved geopolitical narratives around the current conflict. This time, he looks at the latest album from Florence and the Machine, which contains all the dark feminine spirituality we expect from the cutting edge of MK-culture and had four different music videos filmed in Kiev shortly before the conflict began. Then he catches up with the recent outpu...

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The Thing and Other Carpenter Films, with Geoff Shullenberger and James Ellis

Thomas is joined by two returning guests, James Ellis of Hermitix and Geoff Shullenberger of Outsider Theory, to discuss several John Carpenter films. We talk about the struggle against paranoia and inhuman monstrosity in The Thing, Gnostic-Catholic conspiracies and pop-science in Prince of Darkness, the insights and shortcomings of They Live's critique of consumer capitalism, and we disagree about whether there's anything of cinematic and thematic value in Vampires. Overall, we come to a mix...

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Dissident Mama on the Yankee Empire and Gone with the Wind

Thomas speaks with Rebecca Dillingham, host of The Dissident Mama Podcast and blog and co-founder of the Ludwell Orthodox Fellowship, about the lies of the Yankee Empire. Rebecca gives her take on the psyops perpetrated by globalists and neocons that have distorted American history and demonized the South. We cover many aspects of the problem of puritanical political utopianism before discussing the nuances of Gone with the Wind.

2023-04-22 16:10:15 +0000 UTC View Post

Psyop Cinema Appears on the Dissident Mama Podcast

We went on the Dissident Mama podcast to explain what Psyop Cinema is all about. Topics include the origins of Psyop Cinema, Hollywood's assault on Christianity, our critiques of sci-fi and superheroes, and what we mean by terms such as "red pill programming" and the "second matrix."

https://www.dissidentmama.net/

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IMSAs in Ukraine (Part 1)

Thomas discusses how several recurring themes of the show relate to the Russia/Ukraine conflict. Monarch mind control, the Order of Nine Angles, the Tempel ov Blood, Ed Sheeran, Bring Me the Horizon, the Joker, and Jared Leto all make appearances. Focusing on two particularly significant music videos, Thomas makes the case that what we're witnessing in Ukraine is a kind of Satanic SPECTRE super ritual

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Brett's Suicide Squad Notes

Suicide Squad (2016)

Ayer

Director David Ayer is a veteran of “national security cinema,” beginning with Training Day, which he wrote and co-produced.

He directed a music video spinoff of the film for a song by Lil Wayne, Wiz Khalifa, Imagine Dragons, and other IMSAs titled “Sucker for Pain.” The IMSAs are depicted as industry slaves in cages being electroshocked, etc., cut to parallel scenes from Suicide Squad.

Red Pill Progr...

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Suicide Squad (Jared Leto 4)

Suicide Squad is an especially important entry in our series on Jared Leto, given that his performance as the Joker is the reason we've been taking such a close look at his hyper-sus career. Unsurprisingly, Suicide Squad turns out to be among the most explicitly Monarch mind control themed superhero films of all time. We talk about the deep state/occult matrix, how the 'squad' is set against the family, the strange career of Cara Delevingne, and what all this might have to do with Jack Parson...

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Thomas Tangents: Stages of the UFO Psyop

Thomas gives some thoughts on the UFO psyop, the major players involved with it, and his prediction for the series of distinct stages that he expects the UFO deception to go through. Starting with default skepticism, we'll move toward an invasion/military threat paradigm, then to the "cosmic space brotherhood" stage, and then finally into the evolutionary occultic religion of the future endgame. Thomas also rants about hating Jimmy Kimmel. 

2023-03-23 03:25:58 +0000 UTC View Post

Brett's Fight Club Notes

Fight Club(1999)

Background Notes

This was screenwriter Jim Uhls’s first credit. His next credit was for the NBC TV movie Semper Fi, which is described by the first featured imdb reviewer as a “Nice promotional movie for the marine corps.” Never major credit is Jumper, directed by deep state filmmaker Doug Liman (the cover features “Illuminati” Egyptian symbolism). His only other feature screenwriting credit is “in production...

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JJ Brine (Research Report 4)

Brett profiles the career of multimedia Satanic pop artist JJ Brine, a one-time aide to former National Security Advisor Brent Scowcroft. He reveals how Brine’s method of cultural engineering through religious inversion, derived from the Process Church, is a form of psychic warfare aimed at destroying the image of God and thus the human soul.

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An Orthodox Approach to Art and Entertainment, with Jay Dyer and Fr. Deacon Ananias Sorem

A conversation with Jay Dyer and Father Deacon Dr. Ananias Sorem, on how we all think about film, entertainment, and the arts. As we frequently point out instances of destructive messaging and Satanic programming in pop-culture, here we have a broader discussion about the positive and negative aspects and potential of film. We share thoughts about the role of entertainment within an Orthodox lifestyle, the lines we all draw about what kind of art we'll expose ourselves to, and the relevance o...

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Divining the Dream Machine

Thomas reads an essay titled "Divining the Dream Machine: Science-Fiction, Hollywood, and the Technology of Antichrist" which he recently presented at an Orthodox Christian philosophy conference. Drawing heavily on the work of Paul Kingsnorth, Jasun Horsley, and Father Seraphim Rose, he attempts to identify a feedback loop between corrupted imagination and corrupted technology. Such a feedback loop is at the very heart of the anti-human religion of the future and is amplified by both the art ...

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Jasun Horsley on Stanley Kubrick and Artificial Intelligence

We talk with Jasun Horsley about his new book, The Kubrickon: The Cult of Kubrick, Attention Capture, & the Inception of AI. Jasun contends that Kubrick was not really making movies at all, but rather scientific experiments designed to capture our awareness and give rise to artificial intelligence. We get into Eyes Wide Shut, The Shining, and other Kubrick films. Other discussion topics include the moon landing question, the demonic nature of celebrity, the mother-bonded psyche, and the r...

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Mr. Nobody (Jared Leto 3)

Next up in our Jared Leto series is Mr. Nobody, a 2009 sci-fi drama that thinks it's far smarter than it is. It fits perfectly within Leto's ultra-sus career, containing apocalypse programming, omega programming, and divine child themes. Using multiverse theory as a tool of psychic fragmentation, Mr. Nobody is MKUltra by way of pop-science and pseudo-philosophy.

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A Man Called Dagger (Monarch Addendum 1)

In this addendum to Monarch 8 (Color of Night), Brett discusses Richard Rush’s A Man Called Dagger, a hard-to-find 1968 James Bond spoof about an ex-SS officer who has discovered the secrets of mind control and intends to conquer the world. A prime example of the Jay Dyer Villain Principle (i.e., that whatever is attributed to a supervillain applies more properly to the Anglo-American globalist elites), A Man Called Dagger is chock-full of MK limited hangout and proto-Monarch tropes.

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