The World of FLTG and Demo Release Delayed

Hi, patrons.

First of all, I would like to sincerely apologize for the delay in releasing the demo. The first demo will be delivered to you after two weeks.

I will explain in detail why the demo release has been delayed. It is not an issue with the image resources to be used in the demo. I am currently having difficulty writing the dialogue, and it is taking longer than I expected to resolve this issue.

Q: Why does it take so long to write the dialogue?

A: It's because of the world of FLTG. It takes a considerable amount of time to establish the history, culture, religion, and other aspects of FLTG. Once this world is established, it becomes easier to write the dialogue.

Q: Why is world-building important?

A: A poorly constructed world makes writing difficult and increases the likelihood of inconsistencies. To fix this, additional settings or exceptions must be created, which makes the game's story difficult to understand and prevents it from becoming a compelling narrative. I often experienced this when creating the P5G series.

Q: Why didn't you do this beforehand?

A: I thought I had finished the work necessary for writing the initial dialogue, but it was my mistake. I needed a more specific FLTG universe.

Q: Dialogue and world-building aren't important to me. I just want to see sexy images.

A: Yes, that's right. That's the most important thing. However, looking back, I've thought about why P5G received such poor reviews. P5G created the work without completing the story. As the story progressed toward the latter half, its structure became increasingly inadequate. Because the story was poorly constructed, numerous aspects required explanation, and as a result, a significant portion of the work had to be dedicated to these explanations. This made it difficult for you to immerse yourself in the story. A series of images that unfold without immersion does not leave a good impression. Overall, the image quality of P5G is better than FL in many ways. Still, the difficult story and hasty ending led to poor reviews for P5G.

ES was able to create a good story without dialogue, but I think that was just a matter of luck. FL underwent some minor revisions during the series, but I began working with the conclusion that was already decided at the very beginning.

Based on my experience so far, when creating FLTG, it would be easier to decide on many aspects of the FLTG world in advance. Especially in FLTG, which has multiple endings, unlike my previous works, a sophisticated worldview will be even more critical.

Q: Can you tell us about the world of FLTG?

A: I will tell you about the world of FLTG that has been completed so far. A good setting can inspire many stories on its own. I am creating FLTG to have its own plausibility and continuity with my previous works.

First, let me tell you about the chronology of this world ruled by goddesses. This encompasses all three of my previous fantasy comic works. Dovareth is the name of the kingdom that serves as the setting for FLTG.

Chronicle of Dovareth: From the Age of Queens to the Birth of a Kingdom

Era 0 – Astilia, the Queendom of Seals (0–999)

Long ago, demons roamed freely between the realms of mortals and gods. To contain them, the goddesses founded Astilia, a queendom ruled only by women. The queens bore only daughters whose bloodlines held the power of the seal. For a thousand years, Astilia held the gate shut.

But Queen Rosa fell into depravity—sleeping with trolls and orcs, even on her throne. She was overthrown by her mother, Elise.

[Queen Rosa]

[Princess Vivian]

The final queen, Vivian, longed for peace among all races. She abdicated to the orc general Dura, and Astilia vanished into legend.

Era 1 – The Great Peace (1000–1200)

General Dura did not conquer through blood. She broke the kingdom into duchies, elevating humans, goblins, and orcs alike. Peace reigned for two centuries.

[Dura and Queen Rosa]

In this golden time, tales flourished. Among them, none more infamous than "Goblin's Bride" - the tragic, erotic story of the goblin warrior Vics and two elven sisters. Banned in temples but loved in taverns.

[Elf Karen]

[Elf Suzi]

[Goblin Vics]

Era 2 – Velgaria's Rise and Fall (1200–1399)

After peace came ambition. Velgaria was born a kingdom of steel and noble blood.

King Lambert fathered three sons: Guntard, the brilliant general.

[King Lambert and Balan]

[Prince Guntard]

Huet, the adopted favorite. And Danyll, the sensitive youngest.

[Prince Huet]

[King Danyll]

Lambert's new queen, Karen, shared tender feelings with Huet. The king banished her to Hell out of jealous rage.

Later, he stole his son Danyll's lover, Suzi, as his new queen. She was nearly executed for attempted regicide but escaped. Karen returned from Hell bearing demonic seeds and became queen once more.

[Suzi]

[Karen]

After that, Suzi wandered from village to village, selling her body to barely make ends meet, and during that time, she met a goblin named Vics.

Guntard was in conflict with Queen Karen and devised a plan to eliminate his stepmother, but all his plans came to naught. Eventually, Guntard was expelled from the palace and narrowly escaped death multiple times before meeting his friend Laollin Thorneveil. There, he reunited with Suzi, who had become Laollin's mistress.

With Karen's help, Danyll finally became king, but the rot ran too deep.

Guntard, Suzi, and Vics led a rebellion. Velgaria burned.

Era 3 – The Birth of a Queen, the Rise of Dovareth (1399–1409)

In 1399, Suzi founded a new kingdom: Dovareth.

A nation where one's birth did not define one's worth. Goblins and orcs stood shoulder to shoulder with humans.

In 1409, Guntard became the second king. He ruled in peace, then laid down the crown after eight years.

His successor: the son of Raollin, of the noble house Thorneveil.

A queen built the kingdom. A general secured it.

And a new dynasty was born.

Late Chronicle of Dovareth: From King Kallus to Theren

The Reign of Kallus, 7th King of Dovareth (1458–1488)

The blood of kings runs cold, and the voice of the gods is silent.

In the year 1458, Kallus ascended the throne as the 7th King of Dovareth. He wore the mask of piety, but deep inside, he feared not the gods - he feared an awakened people.

Among the Eight Goddesses of Octo Deae, the Goddess of Pleasure, Lustra, preached a dangerous gospel:

"You who fulfill your duty deserve to experience joy."

It was a whisper of a right to happiness — a threat to monarchs who ruled through obedience and fear.

In 1468, the sudden death of the 17th Sanctus Primus opened the way for the Exarch of Lustra, Eltherion Virellus, to serve as interim leader. Respected and devout, Eltherion was poised to become the first Sanctus Primus from the Exarchate of Lustra. His goal is to spread the gospel of joyful living.

Kallus saw the danger and struck swiftly.

He accused Eltherion of murdering the former Sanctus Primus and sought his execution. Though the Exarchs held a tribunal and found Eltherion innocent, the damage was done: he was stripped of his clerical rank and exiled from the capital.

Under the protection of the Exarch of Darkness, Eltherion escaped multiple assassinations and settled in a remote region, quietly building a small community where he taught Lustra's true gospel in secret.

The king failed to get rid of him, but the king had many options. Kallus installed his puppet, Theon Ardemas, as the 18th Sanctus Primus, and together they orchestrated a grand lie:

"Lustra has fallen into corruption."

Using the false claim that Eltherion had committed regicide, Lustra's divinity was stripped, and her followers were declared heretics in need of atonement.

Kallus outlawed alcohol, tobacco, and prostitution, and then controlled their black market. They were prohibited because the Goddess of Pleasure had fallen into depravity. Therefore, the gifts of Lustra, the Goddess of Pleasure, are also corrupt.

He introduced "cleansed" products taxed under the Cleansing Tax, funneled profits to the crown, and painted himself as a righteous reformer while growing wealthier than ever.

Strictly speaking, prostitution had never been prohibited. Thus were born the Sanctum of the Fallen — brothels disguised as sacred temples. Prostitutes were called Fallen Sisters, pimps named Fallen Abbots, and every whorehouse was marked with Lustra's sigil, a twisted parody of sacred space.

Then came his greatest abomination:

The Sanctum of Atonement. There, anyone branded as a heretic — often arbitrarily — was forced into labor or prostitution as an Atoning Sister or Atoning Brother. These were free brothels and forced labor camps in all but name.

He trained an army of Inquisitors and handed them Holy Licenses, legitimizing their persecution.

Kallus became a tyrant. The people, stripped of pleasure and voice, began to loathe Lustra and fear the clergy.

Near the end of his reign, he suddenly closed all the Sanctum of Atonement. And released all those who had been unjustly condemned as heretics. In 1488, he handed the throne to his only son, Seyric, and left him these final words:

"Be a kind king… but never let them awaken."

Seyric Thorneveil – A King Aflame with Power (1488–1497)

Although King Kallus left behind immense wealth and centralized power, his only son, Seyric, lived in the shadow of that legacy.

Since childhood, Seyric both admired and envied his father, eventually aspiring to become a more feared monarch.

Upon Kallus's death in 1488, Seyric ascended the throne and began consolidating control over the Octo Deae (Church of the Eight Goddesses).

He wanted to do what his father had been unable to do. He made it his life's goal to completely eliminate the Goddess of Pleasure, Lustra.

The faithful of Lustra, still reeling from Eltherion Virellus's exile, barely hoped for revival, but Seyric boldly stripped her of her status as one of the Eight, an act without precedent in recorded history.

The church erupted in outrage, and even the Sanctus Primus protested.

Yet Seyric appointed a new leader: Madra Velcriss, a former madam and his loyal puppet, as the 20th Sancta Prima.

He mass-produced Inquisitors, recreating the nightmare of Kallus's reign, and even allowed nobles to run Sanctums of Atonement. The Atoning Sisters and Brothers were forced into prostitution and forced labor. Unlike during Kallus's reign, this place became a human farm that generated substantial profits for the lords.

This perversion of faith incited a nationwide rebellion. Garrion Bortegar's private army crushed the rebels, but the civil war dragged on.

Cornered, Seyric conceded to the church's demands and abdicated the throne. He passed the crown to his uncle, Theren Thorneveil.

Theren Thorneveil – The Silent Reign (1497–Present)

Theren inherited a fractured realm but was too old and feeble to restore it alone.

The true power fell to the 21st Sanctus Primus, Seran Thaleus, and to Garrion Bortegar, now hailed as a hero of the realm.

Seran restructured the inquisitions and pardoned many who had been condemned.

Sanctums of Atonement remained, but their cruelty diminished.

However, Lustra was never restored, and her name faded into obscurity.

House Bortegar had become an unstoppable force with land, influence, and impunity.

The king granted them vital crown lands—and gave them near-total immunity, even from crimes such as murder and rape.

The Darkness Lingers in Silence

In 1498, Josce arrived in the village of Grasvale, a community devastated by war and inquisitions.

By 1504, he had taken complete control of the village.

Soon, Karen, disgraced and discharged from the army, returned home.

Or a mysterious elf named Suzi began a new life there.

In 1506, you encounter her, and the story begins anew.

Religion in the Kingdom of Dovareth

Religion is a critical element in works set in the Middle Ages or fantasy worlds. Sometimes, it completely dominates or changes the world. I took the concept of goddesses, which I often used in my previous works, and made it more concrete.

Octo Deae: The Church of the Eight Goddesses

Octo Deae is the dominant religion of the Kingdom of Dovareth, a polytheistic faith that venerates the Eight Goddesses. "Octo" means "eight" in Latin, and "Deae" means "goddesses."

The faith teaches that each goddess governs a fundamental aspect of existence — from life and death to war and wisdom, from pleasure and temperance to fate and darkness.

Octo Deae influences politics, religion, and society deeply. Its ultimate governing body is the Great Synod of the Octo Deae, where each goddess is represented by an Exarch, her chosen high priest or priestess. Above them stands the Sanctus Primus, the supreme spiritual leader of the church.

• Valthera – Goddess of Protection

Revered by kings and holy knights, she stands for courage, justice, and the sacred duty to protect one's home and people. The queens of the ancient kingdom of Astilia have a tradition of worshipping the Goddess of Protection that continues to this day. In the Kingdom of Dovareth, she is a goddess who cannot be worshipped except by a special class (the royal family, holy knights, and a select few noble families). Therefore, serving Valthera means having a very high political and social status.

• Bellatrix – Goddess of War

The embodiment of honor and strength in battle is depicted as a fierce warrior bearing a sword and shield. She is a goddess worshipped mainly by nobles, knights, and professional soldiers. Sometimes, when a great war comes to the kingdom, many people seek her blessings.

• Thymera – Goddess of Prosperity

Guardian of harvest and wealth, beloved by merchants and farmers alike for her blessings of abundance. Many people in the kingdom live their lives in the hope of receiving her blessings every day. She is the most widely worshipped goddess.

• Serenita – Goddess of Temperance

Symbol of inner peace and restraint, often honored by monks and scholars seeking balance in life. She is revered even in small villages where people pursue a pastoral and peaceful life. In fact, such communities are always short of resources, so a life of restraint is inevitable.

• Lustra – Goddess of Pleasure

Once central to art and celebration, she governs joy, sensuality, and freedom of desire. Depending on how it is interpreted, Lustra's teachings can also be linked to the awakening of the people. Therefore, the followers of the Goddess of Pleasure have suffered for decades. Now, serving or worshipping her can be considered heresy. Currently, many things about Lustra are distorted.

• Aureth – Goddess of Wisdom

Patroness of scholars and mages, she embodies truth, knowledge, and the search for understanding.

• Mortisya – Goddess of Death

She guides souls to the afterlife—not feared, but respected as part of life's eternal cycle.

• Vitalis  – Goddess of Life

Cherished by healers and midwives, she brings fertility, vitality, and the gift of new beginnings.

Most people have a Goddess they believe in from birth. However, depending on the situation, they may temporarily seek the blessings of other Goddesses. For example, a couple about to give birth would pray to Vitalis, the Goddess of Life, for blessings. This is a significant advantage of the Octo Deae religion. However, worshipping certain goddesses can sometimes have fatal consequences.

But if a farmer says that he worships the Goddess of Protection, that alone can be considered an act of treason. Referring to the teachings of Lustra, the Goddess of Pleasure who was stripped of her status as one of the Eight Goddesses, can lead to being tried for heresy.

You can experience this religious culture in several places in the game. Let's learn about the monastery, the Sanctum of the Fallen, and the Sanctum of Atonement that appear in the game.

General Monasteries and Convents

Each goddess of the Octo Deae is honored through sacred monastic institutions. Monasteries house male clergy, while convents are reserved for female devotees. These holy places focus on the divine attributes of their patron goddess—such as temperance, protection, wisdom, and healing—and serve as centers for prayer, meditation, education, and spiritual guidance.

Sanctum of the Fallen

The Sanctum of the Fallen is a perverse parody of a holy place. Originally ordinary brothels, they were rebranded under the guise of religious sanctity during and after King Kallus's reign. With the fall of Lustra, the Goddess of Pleasure, these brothels adopted the appearance of sacred houses to grant themselves legitimacy. This was King Kallus' political strategy to undermine the authority of the Goddess of Pleasure.

In these places:

• Fallen Abbots / Abbesses are the pimps pretending to be heads of sacred orders.

• Domina of the Fallen refers to elite prostitutes.

• Fallen Sisters are ordinary sex workers clothed in fake devotional robes.

The signs display the symbol of Lustra, and erotic verses are twisted into "holy" chants painted on the walls. The customers often roleplay as pilgrims seeking divine pleasure, while the workers act as sisters offering "spiritual release."

These sanctums are openly tolerated but not respected by the Octo Deae. To the faithful, they are blasphemous imitations. To the masses, they are objects of mockery and indulgence.

Common vulgar nicknames include:

• Fuck Temple

• The Whore's Abbey

Sanctum of Atonement

The Sanctum of Atonement was created to house the branded—heretics, fallen clergy, and social outcasts—many of whom were former devotees of Lustra. Branded as sinners, they were forced to atone with their bodies.

Those deemed physically desirable became Atoning Sisters or Atoning Brothers, serving in a sexual capacity. Others were condemned to hard labor.

Though masked as places of spiritual redemption, the sanctums became state-sanctioned brothels and labor camps infamous for cruelty and exploitation, all under the guise of "holy penance."

Ironically, this place is most loved by those who are corrupt and depraved. It has brought great wealth to local lords and the Octo Deae and has been used to strengthen their power. During festivals, it was opened to the public free of charge to win their favor. The easiest way to get out of here was to fill the pockets of the Inquisitors with coins.

In these places:

• Inquisitor (Overseer and Enforcer)

• Administrator (Military or Criminal supervisor)

• Atoning Sister / Brother (The branded penitents)

Common vulgar nicknames include:

• The Pit of Cum

• Milk Chapel

Q: I find this setting and background story boring. Do I need to know all of this to understand the game's story?

A: No, you don't. You don't need to know any of this background story to play the game. You will naturally come to understand FLTG's story as you play. FLTG won't overwhelm you with a lot of information all at once at the beginning of the game.

Q: I find this setting and background story intriguing. Is there any more detailed information available?

A: I'm happy you found this interesting. I've built up much more detailed content than what's been revealed here. As you play the game, you'll gradually learn more about this dark, erotic, and brutal world.

Q: It seems like generative AI was used. Does FLTG use generative AI images?

A: Generative AI may be used to create some icons and small images related to the UI. However, most of the image resources in the game will be 3D-rendered images, just like my previous works. The generative AI images included in this post are for your reference only. The generative images included in this post will not be included in the game.

I apologize for keeping you waiting for so long. I will do my best to make FLTG a great work. Please wait a little longer until the first demo is released. Thank you.