We're entering the final months of work for Temperance. This winter I'll be finishing the last few sets, and then starting in January I will be working on the book with an amazing graphic designer I collaborated with all the way back when Nicole and I were doing Uncropped Magazine.
Making physical things from this work that exists predominately in the digital world is a lot of fun. There is so much I can't control about how you all experience each photo delivered over the internet. Your monitors resolution, calibration, the viewing angle, and so much more will affect how my work comes to you, so as I see a piece roll off the printer I know that we will be seeing the same print, magazine or book.
I do struggle with what the future of this medium, or all art is though, will we keep moving away from holding real thing in our hands? Is creating a physical copy of art important, or just a further waste of resources, since the idea can be conveyed digitally? I don't know. I cherish the physical works I have. They keep me motivated, and inspired to work on creating pieces that will inspire, and bring out emotions in others. As a creator this feeling is sort of the best I can strive for.
I guess all artists probably struggle with what sometimes feels like the futility of making things. I read a Ginsberg quote that pulled me out of one of those spirals were everything feels pointless.
I hope you all enjoy my shoot with Hex and Dutch for Temperance.
Corwin Prescott
2016-12-10 01:56:52 +0000 UTCAngie Marie
2016-12-07 20:57:30 +0000 UTCCharleston
2016-12-07 02:51:38 +0000 UTC