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House of Fortitude
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- Georges Bataille / Death and Sensuality, 1957

"The whole business of eroticism is to strike to the inmost core of the living being, so that the heart stands still. The transition from the normal state to that of erotic desire presupposes a partial dissolution of the person as he exists in the realm of discontinuity. Dissolution — this expression corresponds with dissolute life, the familiar phrase linked with erotic activity. In the process of dissolution, the male partner has generally an active role, while the female partner is passive. The passive, female side is essentially the one that is dissolved as a separate entity. But for the male partner the dissolution of the passive partner means one thing only: it is paving the way for a fusion where both are mingled, attaining at length the same degree of dissolution. The whole business of eroticism is to destroy the self-contained character of the participators as they are in their normal lives.
Stripping naked is the decisive action. Nakedness offers a contrast to self-possession, to discontinuous existence, In other words. It is a state of communication revealing a quest for a possible continuance of being beyond the confines of the self. Bodies open out to a state of continuity through secret channels that give us a feeling of obscenity. Obscenity is our name for the uneasiness which upsets the physical state associated with self-possession, with the possession of a recognised and stable individuality. Through the activity of organs in a flow of coalescence and renewal, like the ebb and flow of waves surging into one another, the self is dispossessed, and so completely that most creatures in a state of nakedness, for nakedness is symbolic of this dispossession and heralds it, will hide; particularly if the erotic act follows, consummating it. Stripping naked is seen in civilizations where the act has full significance if not as a simulacrum of the act of killing, at least as an equivalent shorn of gravity. In antiquity the destitution (or destruction) fundamental to eroticism was felt strongly and justified linking the act of love with sacrifice. When I come to religious eroticism which is concerned with the fusion of beings with a world beyond everyday reality I shall return to the significance of sacrifice. Here and now, however, I must emphasise that the female partner in eroticism was seen as the victim, the male as the sacrificer, both during the consummation losing themselves in the continuity established by the first destructive act."

- Georges Bataille / Death and Sensuality, 1957

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