It was Robert Smithson who purportedly around that period of abstract expressionism was alone in making entropy the most important generative concept of art practice at the end of the sixties: his 'Spiral Jetty' and other projects pertained to the extinction of energy in any given system. Matta-Clark's "anarchitecture" took to building a wall out of garbage as in factor analysis GIGO (garbage in, garbage out). The entropy as art according to Smithson are 'ruins in reverse' and consciousness is like a perpetual attempt to reverse entropy of a peculiar structure.
Italo Giardina
2025-10-29 03:29:13 +0000 UTC
This is something I've pondered a lot myself, and I'm happy to hear you talk about it. You're quite good at finding words for difficult philosophical ideas and making them sound compelling. :))
I think physicalism inherently leads you to some kind of panpsychism, like the integrated information theory. But also it makes a lot of sense to me to just think of the universe as having one singular distributed consciousness, in which all particles participate -- Though it may seem like there are many distinct consciousnesses because the interconnectivity of the whole thing is very limited compared to the dense interconnectivity of, say, brains.