Using a big charcoal stick (digital or otherwise) is a great way to encourage simplification.
If your motive is to capture the big ideas of a subject—such as mood, gesture, or light/shadow contrast—a "low resolution" approach like this is quite effective.
When we render something more tightly, we inherently shift the focus from big statements to more specific statements. Neither is right nor wrong, but one can distract from the other. I think you can find ways to balance both, but it's tricky.
This looser, broader aesthetic also puts more emphasis on the abstract appeal of the marks themselves—the shapes, edges, and textures. That quality often gets lost in tighter rendering, which trades visual poetry for nuance and clarity.
When adding details, it's easy to get lost in the weeds. Just know: there's no rule that says a drawing needs to have more stuff in it. At some point stuff becomes clutter, especially when it distracts from the bigger ideas.

Lane.Draws
2025-05-09 19:59:34 +0000 UTCNorman Bonney
2025-05-09 13:02:06 +0000 UTCLane.Draws
2025-05-07 01:09:58 +0000 UTCKyllian Guillart
2025-05-06 22:00:39 +0000 UTC