Left Handed Dream : Ryuichi Sakamoto
Added 2023-04-03 05:04:42 +0000 UTCIf life were the way we wanted it to be, we wouldn't lose the people we want alive.
A shock on so enormous a scale that after silently taking over the world through a low-frequency masking effect that the ear cannot perceive, it comes upon people as a delayed and intense blast.
Go on, Ryuichi Sakamoto, it's time to finally experience what you experienced as one of the reincarnated Debussy's as a Japanese musician in the 80's, the original Debussy, Ravel, Satie, the French Six, and Bach, and to "finally arrive" and blossom into a musical discussion. Congratulations on your release from the body and your departure. With hardship comes ease.
I don't have any personal or direct contact with you, but from my professional point of view, when I composed the land song for Omotesando Hills, I based it on my study of Sakamoto-san's music, who had done the land song for Roppongi Hills one year before that, and I also worked on NHK's "Alaska: A Tale Like a Star. I remember the days when I stayed at a studio in Roppongi and composed music for the soundtrack of NHK's "Alaska: A Story Like a Star" as a research project.
I also remember my participation in "Tenchi Gagaku" as a track-maker for Merry Christmas in the Battlefield and A Thousand Knives. At the launch party for this extremely talented group of young people, more than 80% of the attendees were left-handed, which is not often the case, but as left-handed people like Ryuichi Sakamoto, we were in the mood to ask the right-handed producer, "Why are there right-handed people here? I remember the excitement of asking the right-handed producer, "Why is there a right-hander here?
Translated with www.DeepL.com/Translator (free version)
