It's a great balance but low end heavy and dry on the vocals. The advice would be to get the vocals (ziggy) more present in the top end. Put a reverb on him and maybe add some delay that bounces with the track. Currently there is no "room" so give the track a space. Just imaging where you normally hear this track and pop it in that space. It will give the track a 3d ness.
Overall not bad at all!
2021-03-19 10:25:41 +0000 UTC View Post
for the mix you have done a great job. Nothing really to add then keep going forward the way you are going. I would focus your time into making "radio edits", just to keep the listener interested. Get that down and start moving to labels, selling templates etc.. Thoroughly impressed by your progress
No, buy mini dsp instead for 95 Dollars. 169 Euro's is absurd for what you get. Sorry for the F bombs here but it really pissed me off haha
2021-03-11 09:36:45 +0000 UTC View Post
X came up with the idea to have a mix off. So here are the rules
1. We need a song to mix so add your soundcloud link below
2. Once in (due date is next week monday) I will decide which to mix
3. The project file will be made available and you can mix with any plugin company you want or even go analogue
Tips: please focus on the musical idea and arrangement, the mix or master does not matter. Do not enter 7 to 10 minute long song with a 3 minute intro and outro. Make a...
2021-03-08 08:52:42 +0000 UTC View Post
When all the main elements of the mix are hitting hard in the mid than the only ting you need to do is let the Virus Hypersaw/Supersaw do its thing as it will be Side focussed. That inherit of the sound design itself from the beginning. Just make sure the Presence is there via a wide bell in the 2k area. I know it might sound too simple but that is just the way it is. I am mixing an artist for them and I know this to be true out of experience :)
2021-03-02 10:49:35 +0000 UTC View Post
Well it's definitely interesting on a Friday morning. Thank you for challenging me here. The concept is tape delay. I think it's a preset on the dubstation so find a plugin that emulates that. But you can roughly do the same in Ableton too. Either via the grain delay (different flavor or the actual delay in repitch mode and automating the time in free sync mode).
2021-02-26 09:53:30 +0000 UTC View Post
Great job Stefan. A few little notes but if you like release as is. Proud of you
2021-02-25 12:53:51 +0000 UTC View Post
Alright, raw hit potential talent here. I would suggest focussing on arrangement first and forgetting about mixing. On the mixing part go for half right now. I would really like to reach out to the patron's right now and ask them to help out with arrangment and pretend it's summer. We will cover the mix later
2021-02-19 16:17:51 +0000 UTC View Post
Well you did a great job. as always vibes for days. Nice and clean recording too with the vocal full in mono and not too much side distractions. It's scary to mix like that but very rewarding. the only thing that bothers me is the introduction of horns and me needing funky bass. For the rest brilliant work
2021-02-19 15:58:49 +0000 UTC View Post
If you want to be a mixing and mastering engineer I would invest in the room as much as possible and work with what you have. If you want to be an artist and you only work in the computer I would invest into a computer, learning an instrument and flip around the EQ on your headphones. It's up to you. As for "professionals" they have a team of people working for them they do not need to mix and master themselves.
2021-02-15 12:41:57 +0000 UTC View Post
Defiantly Funky again. Love the little break at the start. I would say, get in touch with your funk side and try moving away from Blocks of Chords where the bass and lead play exactly the same thing. It's normally used only in a break to then go on to a lead and funkier bass again. It's a powerful tool when used sparingly
2021-02-05 10:25:46 +0000 UTC View Post
Main tip here is to turn off sonarworks and move forward with minidsp instead. SVS 2000 pro has a dsp so you can fix a lot of your room in one go. As for the cluddy mix the main tip I can give is to set your vocals in only while the drums and bass are playing back. Use the "we will rock you" feeling. If your main mono signal is balanced the rest will be easy to fill in just via panning and imaging.
2021-02-05 10:03:03 +0000 UTC View Post
Very nice track where we discuss drug usage and messing with people.
2021-02-04 17:33:10 +0000 UTC View Post
Hey everyone as many of you know my wife and I are expecting a baby. Things did not go as planned unfortunately so I will be with the mrs for the next 2 weeks and won't have time for work. In the meantime feel free to check the 270 ish videos and see you soon!
Much Love,
Guido
Edit: all is well. Cycling back and forth to the hospital like a madman for the next week haha. The baby is healthy and the Mrs is recovering.
See you guys soon again and thank you for all the...
Interesting choices made for the mix. I suggest that EQ so that you do not put in excessive hi end and low end. Mix again with the eq from scratch and the pointer. Good job on mixing someone elses work. Keep it up
Delete and replace the kick. That will instantly help your song out and you will be able to push everything into place from there. Overall song idea is great, I would love to hear a radio edit.
Yes and or no haha. Understand the concept of music living in the mids and you will understand why you need or do not need it. You can also buy any mono or stereo cheap kitchen radio.
Couple of clicks and a reverb trick to help you out
2021-01-19 13:42:15 +0000 UTC View Post
If you write your song in 1 key and you need to make a melody try using the pentatonic major or minor scale depending on what you wrote initially. You can step out of scale with your pentatonic notes but use this only as short stepping stones to get to your main notes. Give Julian Bradley a google and take notes :).
Sliding things on and off grid is not really what you need to look at. As a drummer you learn how to drum on grid and you learn measurements instead. This drummer explains it in one go: https://www.youtube.com/watch?v=T1j1_aeK6WA&ab_channel=DRUMMERWORLDbyBernhardCastiglioni
Another misconception is that the velocity of hitting a drum and the tonality i...
2021-01-11 16:54:55 +0000 UTC View Post
Just follow along and you got yourself the lead with the right delay time and midi.
2021-01-11 11:50:38 +0000 UTC View Post
First define what "Right" means. Right will be your references. Get out a pen and paper and write down where you lack in comparison. Second figure out what instruments are playing in the lacking bands. Adjust your volume first in those parts and if that does not work use eq. Please do not eq like a mad man. Last, start practicing mixing so that a few good tips theoretical tips can translate into practical knowledge. "Talent without training leads to nothing". So challenge yourself with the pr...
2021-01-07 12:21:28 +0000 UTC View Post
I would try to put him in awe with the arrangement. The mix sounds good just a few tweaks here and there. You can go the way it is now too but I would focus on wow factor above anything
Here are some tips to go louder. And you can go as loud as you want :). I do suggest loudness penalty and having a listen to your different versions. Which ever one you like go for that. At the end of the days it's not what meters say but how it sounds. Think of the listener vs the lufs
Yes all the time I just do not call it clipping. Distortion, saturation, driving, compressing, limiting, waves shaping, aka "abusing plugins" is an every day occurrence. I suggest the playlist of Anade mixing session with Plugin Alliance. It is full of clipping all over :).
If it's part of the creative idea yes. If certain notes sound louder in your listening position but it's actually a sine wave playing back at the same level than no. For the latter it's the listening spot/speakers/headphones as each note will have the same velocity. If you start creating like this it's a recipe for a mixing engineer to fix it all.
