Thank you so much.

Post-show

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk. I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel up until today, because up until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of your financial support on here, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you. Thank you all so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final episode commentaries in the next few days, while I have the time and the clear memories.

#2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs). Please do ask us questions!

#3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much.

#4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try. 

This is something I do want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts).

#5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written.

#6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

As an aside and an acknowledgement: we know Patreon support is inevitably going to drop off post-show, and that’s OK, and that’s what we expected. We’ll be fine, the ad money will continue to help support us for the time being, and we’re incredibly grateful to you whether you’re able to stick around or whether you’re going to say goodbye for now, so please don't feel any guilt or obligation in either case. (If you do drop off, thank you so much and we hope to be able to tempt you back in future!).

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control of how the story turns out. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category, which is

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how near-uniformly positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon x

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I imagine Eddie was working during the parade somewhere on the city outskirts, and is alive and well.