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Scott Paul Johnson
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Music Theory Monday | 07: Modes Overview

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An overview and explanation of the 7 main categories of modes and their relationship to the major and minor scales. In this video we dig into the idea of modes - in the future we'll spend more time on each mode and get into the idea of "being modal.”

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Music Theory Monday | 07: Modes Overview

Comments

Thanks for this awesome lesson, Scott. Anyway, here's wonderwall!

Rick

And one more question. Maybe I missed it, but why do we talk so much about the first quarter and the fifth chord in the key?

Frank Petlitskiy

I'm sorry for the stupid question. But shouldn't Dom 7 resolve to the first chord? If so, how does it take the first position in Mixo?

Frank Petlitskiy

I like that, Billy! Thanks for sharing

Scott Paul Johnson

Great video! One way I learned to understand the sequence is if you move the last note of the scale to the front of the current scale, it creates a new mode following this pattern: I (Ionian) Dont (Dorian) Play (Phrygian) Loud (lydian) Music (mixolydian) At (Aeolian) Lunch (Locrian)

Billy Pecoroni

Yes! The same way we can say that F# Minor is within the Key of A. There are other ways to look at modes, but this is - in my opinion - the best way to really start getting comfortable with modes.

Scott Paul Johnson

can we say with this that a Dorian B is within the key of A major since it shares notes with A major scale and we can say that B dorian has similar chords with the key of A major?

Leon Neri

Wow great questions! I bet the Beatles were at least somewhat deliberate about it. I'm not sure about the others. Modes are found in nearly every genre of music. Irish folk music, Indian music, russian music, south american music, etc etc. Modes are actually so common that traditional music theory lessons ought to stop treating the major and minor scale like they are the "normal" scales. "So what" by Miles Davis is in Dorian Mode. Greensleeves (or "What child is this") is usually in Dorian mode as well. For example. Two somehwhat opposite songs using the same mode.

Scott Paul Johnson

Great lesson. I like the chord progression interpretation of modes. Is it your opinion that the artists who composed Louis, Louis, 8 Days a week, and Wonderwall (for which I thank you) were aware of the modes? Are modes used mainly in Rock or do you find them, say, in classical or jazz guitar?

Ken Keffer

Hi Gergely! Sorry for the delay on your question. Watch Music Theory for Guitar Triads lessons. That will give you all the movable chords you could possibly want, including bar chords.

Scott Paul Johnson

Kristopher. You're right, it would be in the key of G Minor if it's capo 3, but it's still the same relationship between all the chords.

Scott Paul Johnson

Yo brother, late to this but that song you were playing (Wonderwall) was thought to me with the capo on the third fret which puts it in G if I am correct.

Kristofer Mc Cormack

Hi Scott! You mention around 41:30 messing around with barre chords - I wonder if there is a video about learning how to mess around with those? :D Watching you do it after 6 music theory mondays means that I can somewhat figure out myself, but having the theory put behind it would be great!

Gergely Kocsis

Hi Scott. Im actually laughing right now because these past few months I've studying theory so hard trying to wrap my head around the proper way to use modes. However, after watching this video I feel like I should just play whatever sounds good and makes me happy.

Czor Salad

Awesome. Modes are so cool. Glad you're enjoying.

Scott Paul Johnson

Josue - this is a tricky question! Because the chords in a mode are essentially the same chords as a major or minor scale, you CAN start on a chord that isn't the one chord, but its all a bout convicing your audience that the one chord you chose is the one chord they hear.

Scott Paul Johnson

I wondered, when playing a chord progression using a mode, is it necessary to start on the one of that mode or can it be treated like a key?

Josue Munoz

Thanks Scott. I've been under the misconception that modes were only for scales. new strumming patterns can happen on my guitar now

Josue Munoz

again

Joop Wassenaar

Hi Scott, tks qgqin for this great lesson.

Joop Wassenaar

Another noob question, C ionian is the same scale as B locrian started from the 2nd note. Did I get that right?

Alex

Thank you for pointing that out. Will check it.

Alex

That is a Dorian i IV chord progression. Am Dorian (aka A Minor Scale with a sharp 6th note) will produce that progression. Its delightful

Scott Paul Johnson

Hmm. That’s a Dorian i IV progression. We’ll discuss it in future videos!

Scott Paul Johnson

Hi Scott, thank you for your hard work, you are making great content and in nice format and structure. Was playing around with some chords and ended up having: Am D Am D Am D E. When I play it it sounds doesn't sound bad, which makes me think it is a valid progression. I however can't figure out the key. Looking at D and E hints that these are 4th and 5th, but that kind of goes against having Am. I thought this might have something to do with modes, so tried writing out different A modes but none of them have these chord progression. What am I missing? Thanks again. BR. Alex.

Alex

this is a great video! I def will be coming back to this one. You explained it better than I remember from taking theory in college. cool to see it applied to the guitar and the chord progressions!

Ann-Marie Daniels

Hi Davin! Thanks for being here. It can't hurt to learn the mode scales if you have the time! It can help with soloing and songwriting and everything, just dont' forget to think of them as keys as well with their own chords and things. I've been filming new content now and I'm excited to get this Patreon going nuts with valuable content.

Scott Paul Johnson

Awesome explanation of modes Scott, thank you! I like your idea of analyzing chord progressions of songs from a modal perspective as well - would love to see a video on that. Q: Do you think it's worthwhile practicing the modal scales in the various positions, or is it more practical to try to simply understand & identify the various modes to incorporate them into songwriting? I suppose it depends on the goal of the player, so I apologize if that's hard to answer...just trying to get a sense of which concepts to really focus in on when practicing. Thanks again! ps. Great to see your Patreon supporter #'s going up every day as more and more join the community! I'm finding the content you're creating here has been super valuable.

Davin

Well awesome! I’ll get into it more

Scott Paul Johnson

Hi Scott! Thanks for another great lesson. It's funny you said that, but so far I thought of modes as a way to get more different chord progressions! Cool stuff as always!

Alexander


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