Psyop Cinema

Flashback (2020)

Thomas analyzes a 2020 sci-fi mystery that contains some of his biggest preoccupations, including the traumatized divine child, hobo symbolism, and immersion into the Great Mother. Christopher MacBride's follow-up to The Conspiracy (2012), Flashback is full of typically trite psychedelic philosophizing, but takes a somewhat unusual approach to its gnostic themes. By simultaneously venerating two seemingly opposed manifestations of the divine feminine, the film becomes helpful for diagnosing s...

The Tree of Life, with Steven DeLay (Malick 5)

Thomas and Steven discuss the spiritual and social themes of The  Tree of Life, Terrence Malick's 2011 coming-of-age of drama with a  cosmic background. They unpack the narrative's biblical references to  Genesis and Job, and Steven describes the film's resonances with  Augustine, Freud, and Dostoevsky. Analyzing the film's dichotomy between  a motherly "way of grace" and a fatherly "way of nature," they disagree  about whether The Tree of Life's critiques of 195...

Brett's Blade Runner 2049 Notes

Blade Runner 2049 (2017)

Major concentration of superclass futurist/predictive programming messaging in opening story scroll alone: massive collapse of ecosystems in 2020 (climate hysteria) leads to return of hyper-post-apocalyptic conditions until Wallace’s “mastery of synthetic farming” (GMO propaganda ramping onto pro-synthetic biology propaganda) returns this to normal post-apocalyptic.

The opening story screen also sets up the mind control themes, expla...

Blade Runner 2049

Continuing the discussion that began with our analysis of Blade Runner,  we look at the legacy sequel released in 2017 and directed by Denis  Villeneuve. Blade Runner 2049 intensifies the psy-op of the original  film, making the Monarch tropes and mind control themes far more  obvious. The ever-sus Leto appears as a Elon Musk style tech-oligarch  with Promethean aspirations. Considering the various perspectives  advanced within the film on human/tech hybridity, w...

Coppola's Monster: Victor Salva and the Hollywood P-e-d-o Problem (Research Report 6)

In this detailed Research Report, Brett dives into the puzzling relationship between Francis Ford Coppola and Hollywood pedophile Victor Salva, who was convicted of molesting the star of his debut feature film, Clownhouse (1989). The film was bankrolled by Coppola and produced by his Zoetrope studio, which also produced the first two installments of Salva’s Jeepers Creepers trilogy more than a decade later. Brett also revisits the controversy over the release of Salva’s Powder (1995), whi...

Mandy and Beyond the Black Rainbow, with Sean McCann

We are joined by Sean McCann for a discussion of the films of Panos Cosmatos, analyzing Beyond the Black Rainbow's MKUltra New Age horror and Mandy's dark psychedelic Nic Cage rampage. Getting into his biting commentary on 1960s boomer spirituality and 1980s Reagan conservatism, we discern which countercultural psyops Cosmatos is rejecting and which ones he wholeheartedly embraces. Dark goddess worship, Programmed to Kill style mind control, and dissociative power trips for the powerless make...

Brett's Blade Runner Notes

Blade Runner (1982)

Background

According to producer Michael Deeley, the idea to make a movie out of PK Dick’s Do Androids Dream of Electric Sheep? originated with executive producer Brian Kelly (it’s his only producer credit), son of a former governor and justice of the Supreme Court of Michigan.

Director Ridley Scott’s father was a Colonel in the British Army. Blade Runner was his first American film, i.e., first fi...

Blade Runner

We talk about Blade Runner, getting into its attack upon the boundaries of the human and its prevalent Illuminati symbolism. Differentiating Philip K. Dick's ill-fated Gnostic impulses from Ridley Scott's overt promotion of the superclass worldview, we contrast the source material and the film, also noting key distinctions between the several cuts of the movie. Blade Runner turns out to be a standard Hollywood sci-fi vehicle for Luciferian transhumanism.

The New World, with Steven DeLay (Malick 4)

Our Terrence Malick series continues with The New World, Malick's  depiction of the Pocahontas story. Thomas and Steven analyze the film's  treatment of religion, romance, and civilization, while continuing to  consider the extent to which Malick's mystical themes are Christian.  They discuss philosophical questions raised by the film regarding  religious pluralism and phenomenology.

https://...

Brett's Halloween III Notes

Halloween 3 (1982)

Background

Moustapha Akkad executive produced the first eight films in the series. His background gives some indication of his possible intelligence connections.

Al Akkad was born on July 1, 1930, in Aleppo in the French Mandate for Syria and the Lebanon.[3] He received his high school degree from the Aleppo American College. His father, then a customs officer, gave him $200 and a copy of the Quran before he left for the U...

Halloween (2018), Halloween Kills, and Halloween Ends, with Geoff Shullenberger

Geoff Shullenberger joins us for an analysis of the recent David Gordon  Green Halloween trilogy. He discuses a Girardian reading of Halloween  Ends as well the "lab leak theory of Michael Myers." Is the 2018 film  correctly read as based and right-wing, or is it more of the same  MK-culture fetishization of trauma? Why is Halloween Kills so terrible?  And does Halloween Ends present a cringe lib approach to evil or a  positive subversion of typical Hollywood inc...

Halloween 4-6 and Friday the 13th Part VII (Monarch Research Report)

In this supplement to our main feed series on the Halloween franchise, Brett explores the Monarch themes driving Halloween 4-6, the so-called “Thorn trilogy,” as well as the theta programming storyline of Friday the 13th Part VII. He explains why every major horror franchise arising out of this era eventually goes full-on Monarch. And he elaborates on the clown archetype at the heart of the Joker Cycle with reference to Halloween 4, where a traumatized little girl is transformed into a ki...

Halloween III: Season of the Witch, with Sean McCann

We continue through the Halloween franchise, this time joined by Sean  McCann to discuss the strange cult classic Halloween III: Season of the  Witch. This unique entry in the series showcases some intense revelation  of the method in its combined depiction of technology, witchcraft, and  corporate media. We discuss the significance of Samhain and demonic pagan religion in both its ancient and modern forms.

2023-10-28 04:30:36 +0000 UTC View Post

John Carpenter's Halloween, with the Collins Brothers

We are joined by Paul and Phillip Collins to discuss John Carpenter's  Halloween, in the first of three episodes on the Halloween franchise.  They explain the apotheosis of Michael Myers, how this archetypal  slasher fits into the occult transhumanist project to transcend good and evil and remake mankind. We discuss depictions of evil within  Carpenter's work and how the weaponized insanity of Myers relates to  demonic clowns and what we have called "the Joker cycle."...

Brett's Thin Red Line Notes

The Thin Red Line (1998)

Background

Casting

Wikipedia

20th Century Fox agreed to put up $39 million of the budget with the stipulation that Malick cast five movie stars from a list of 10 who were interested.

Supposedly, when word got out in 1995 that Malick was making another film,

numerous actors approached him, flooding the casting directors until they had to announce they wouldn't be accepting more requests. Some A-list actors including...

Malick's Origins and The Thin Red Line, with Steven DeLay (Malick 3)

We discuss The Thin Red Line with Steven DeLay, after first going much  deeper into Terrence Malick's background. Considering many remarkable  and little known facts about Malick's biography, we analyze his relationship to the academia/media/intelligence culture creating  complex. We then talk about Malick's late 90s epic war film The Thin Red Line, discussing whether the underlying religious message is  essentially Christian or pantheistic and unpacking the significance o...

Brett's Jacob's Ladder Notes

Jacob’s Ladder (1990)

Background

Script had been around for almost 10 years and had been voted one of the “top 10 unproduced scripts.” Many big directors, including Ridley Scott and Sidney Lumet, had at one time or another signed on to direct it. There was definitely a lot of industry momentum behind this project. According to imdb:

Actors who were allegedly interested in playing the leading role of Jacob Singer included Richard Gere, Dustin Hoffman, a...

Jacob's Ladder (On Debra Gets Red Pilled)

We went on the podcast Debra Gets Red Pilled for a fun conversation about the influential horror film Jacob's Ladder. It's a  movie that hits most major Psyop Cinema themes, including religious  engineering, trauma-based experimentation, the psychedelia psyop,  Gnosticism, and fetishization of dissociation. We talk about the highly  suspicious drug experience that led to the writing of this film and  discuss the essential place of the Vietnam War within MK-culture. 2023-09-22 22:30:40 +0000 UTC View Post

Brett's Sound of Freedom Notes

Sound of Freedom (2023)

Re: the media hysteria against the film, remember that the red pill initiative these days is squarely on the side of the right-wing. Telling these people that the establishment doesn’t want them to see this film is about as effective as it once was to tell young would-be radicals that the establishment doesn’t want them to experience the joys of sexual liberation or LSD gnosis.

Background

Director Alejandro Monteverde and his wife...

Sus of Freedom

A look at the multi-layered psyop around Sound of Freedom,  the popular recent Jim Caviezel film dealing with child sex trafficking.  In contrast with the charged discourse around the film's alleged QAnon themes, we analyze the subtle quality of the Monarch 'dogwhistles'  actually present in the film. We discuss those involved in the  production and promotion of this movie, clarifying which of these  figures are highly suspicious and which seem to be benign. At the ce...

Return to Oz and the History of Oz Programming, Part 3 (Monarch 13)

In the last of a three-part subseries on Return to Oz and the history of Oz programming, Brett dissects the 1985 children’s movie in minute detail, pointing out a vast array of Monarch tropes and showing how the entire plot is a coded depiction of Monarch mind control techniques designed to generate alter personalities through drug- and electroshock-induced dissociation and fantasy manipulation. Comparing the movie closely with the source material from L. Frank Baum’s Oz series, he explai...

Brett's Arlington Road Notes

Arlington Road (1999)

Background

Release of the movie was delayed from May to July because of Columbine. As Pellington points out, Arlington Road not only dealt with spectacular violence but also “children and explosions.”

This was the debut script of Ehren Kruger, who is a massive sus-ball. He won the Nicholl

Fellowship Screenwriting competition from the Academy. Raised in Alexandria, Viriginia (Fedland), he wrote three of the DoD-support...

Arlington Road (On William Ramsey Investigates)

Our appearance on William Ramsey's show discussing Arlington Road, a 1999 thriller about domestic terrorism. We show how the film projects the tactics of intelligence services onto the militia movement, resulting in intense misdirection regarding events like Oklahoma City and Ruby Ridge. We also examine the predictably sus credits of the filmmakers, the hints of mind control themes, and the film's overall attempt to undermine social trust and foster the wrong kind of paranoia. 

Fantasia and Monsters Inc, with Jamie Hanshaw

Thomas and Mariana are joined by Jamie Hanshaw for a thorough examination of Disney's sinister history. Jamie takes us through  Disney's deep state and occult connections, the life of Walt Disney, and  how the parks themselves are a microcosm of the spell cast by the dark magic of imagineering. We then talk about Fantasia's probable function  as a direct tool of Monarch programming, similar features in Fantasia 2000, and how Monsters Inc acts as a disturbing revelation of the &...

Return to Oz and the History of Oz Programming, Part 2 (Monarch 12)

In Part 2 of a three-part Monarch subseries on Return to Oz, Brett discusses early deep state sponsorship of the Coppola-Lucas-Spielberg axis, Michael Aquino’s admiration for Lucas and alleged use of Star Wars programming, the relationship between Hollywood and the United States Information Agency, and much more, including the occultic career of child star and Monarch actress Fairuza Balk. Lucas's debut film THX 1138 (1971) and the Monarch films Tollbooth (1994) and American Perfekt (1997) ...

Days of Heaven, with Steven DeLay (Malick 2)

Brett is joined by Steven DeLay to discuss Days of Heaven (1978), from Terrence Malick. An ethereal drama set in the Texas Panhandle of the early 20th century, Malick's second film is a romance dealing with tragedy, jealousy, and deception, as well as a philosophically rich commentary on the loss of paradise. Brett and Steven analyze the film's treatment of religion, technology, and utopian dreams.

https://twitter.com/...

Taylor Swift's Mind Control Concerts (On William Ramsey Investigates)

Thomas' appearance from a few weeks ago on William Ramsey Investigates, talking about the suspicious aspects of Taylor Swift. Thomas and William analyze the strange phenomenon of 'Taylor Swift amnesia,' the psychological and spiritual dangers of celebrity culture, and the overt occult and Monarch symbolism of several Swift videos and live performances. Taylor Swift's recent concerts may represent a phase shift, where mass-scale MKUltra is becoming more explicit than ever. 

2023-07-26 06:10:42 +0000 UTC View Post

Seven Days in May (On William Ramsey Investigates)

An appearance we did a few months ago on William Ramsey Investigates, discussing Seven Days in May, an early 1960s political thriller about a military coup against the United States president. We analyze the relationship of this film to the Kennedy assassination and consider the complex political dynamics around the killing of JFK and the Kennedy legacy. We also talk about RFK's assassination, RFK Jr.'s candidacy, and the many paths to globalism.

2023-07-25 04:51:43 +0000 UTC View Post

Return to Oz and the History of Oz Programming, Part 1 (Monarch 11)

In Part 1 of a three-part subseries, Brett introduces Return to Oz (1985), a nightmarish 80s “children’s” movie produced by Disney that barely disguises its mind control themes. Specifically, the movie depicts Wizard of Oz programming, one of the base programming methods used on Monarch victims. Part 1 examines the history of Wizard of Oz programming, drawing on the testimonies of Monarch survivors Cathy O’Brien, Brice Taylor, and Cisco Wheeler. Brett also situates the movie within th...

Brett's Morbius Notes

Morbius (2022)

Background

Director Daniel Espinosa also directed the CIA movie Safe House (2012), starring Denzel Washington.

Screenwriters Burk Sharpless and Matt Sazama wrote the Illuminati movie Gods of Egypt (2016). He also wrote a Dracula movie (Dracula Untold) in 2012. He also developed the recent Lost in Space show, which I know nothing about but which has a very conspicuous instantiation of the Illuminati one-eye m...