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Sinnin' and inkin' #4

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#5, page 20

Around this page I started experimenting with ink wash - Jericho needed a different style for his flashbacks, and it felt really fitting to make his scenes more murky and weird. I was doing a lot of silhouette isolation with paper cutouts, used sponges and brushes - but it's still far from the more systematic and laconic look I wanted to have in the end (see "Jaundiced Eye" by Tyler Landry <3)

Also, I feel like this technique turned to bee too awkward for Giulia - in some parts it seems that the simpler grey-scale (or scales of one single color) could've worked better without any flat colors at all... But it would probably be too unconventional for the rest of the book? I don't really know. 

Sometimes it sucks to feel this weight of your own work and decisions :(

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Sinnin' and inkin' #4

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